Although Hildegard Knef (aka Hildegard Neff, or just “Die Knef”) was most widely known in her indigenous Germany among the most significant actresses to emerge after WWII, she was also an accomplished musician in her very own right. Working mainly using the German chanson (a kind of vocal pop well-known in that nation in the middle-20th hundred years), she released over 20 albums and documented over 300 music (composing or co-writing nearly half of these). Her music profession officially started in 1951 using the discharge of the divide 7″ Ein Herz Ist Zu Verschenken/Jeden Abend Stehe Ich am Hafen (Jonny). Many singles and EPs implemented through the entire ’50s and early ’60s, but Knef didn’t really launch herself being a chansonette before ’60s using the discharge of hit music like “Hair Mich Soll’s Rote Rosen Regnen” (It Shall Rainfall Red Roses for me personally) and “Ich Hab Noch Einen Koffer in Berlin” (I’ve Got a Suitcase Still left in Berlin). The second option song was therefore well-known in its day time that the name became a typical turn of term. Her popularity extended well in to the pursuing decade, and Knef devoted the majority of her energy to composing. She continuing to record until the end, however, and also enjoyed lots one strike in 1994 with Extrabreit’s remake of “Fur Mich Soll’s Rote Rosen Regnen,” which presented a vocal cameo from the legendary chansonette.