Don Thompson Quartet

b. 18 January 1940, Powell River, Uk Columbia, Canada. Thompson performed bass with many Vancouver rings in the first 60s, including those led by Dave Robbins, Chris Gage and Fraser McPherson. He also led his personal groups and produced several appearances with one of these on CBC Radio and Tv. In 1965 he became a member of John Handy, touring with him through the entire USA for just two years and documenting two albums like the extremely popular Live IN THE Monterey Jazz Event. Handy’s music group was located in SAN FRANCISCO BAY AREA and during this time period Thompson could play with additional musicians, such as for example George Duke, Maynard Ferguson, Frank Rosolino and Denny Zeitlin. After his spell with Handy he came back to Canada, ultimately settling in Toronto. In 1969 he became a member of Rob McConnell’s Manager Brass, first like a percussionist before switching to bass and finally to piano. He also performed bass and piano with Moe Koffman’s group and produced information with both these market leaders. With the second option he produced Solar Explorations while his many looks on record with McConnell’s Manager Brass include Once again!, RESIDE IN Digital and Our 25th Yr. He also documented with McConnell inside a trio establishing with Ed Bickert, Three For THE STREET. Thompson has generated rapport with many guitarists over his profession, working effectively with Bickert on two praised duo albums for Sackville Information, Lenny Breau, Sonny Greenwich (documenting The Old Guy And THE KID), Pat LaBarbera (Required Bad), and Emily Remler (Consider Two). During his years in Toronto he was an associate of the home tempo section at among the town’s leading locations, the Bourbon Road Jazz Club. At the moment, Thompson played and frequently recorded with several noted site visitors, including Paul Desmond (Like Somebody In Like), Harry Edison, Artwork Farmer, Jim Hall (touring using the guitarist to European countries, Japan and the united states from 1974 and producing several albums), Slip Hampton, Milt Jackson, Lee Konitz, Abbey Lincoln, Wayne Moody, Rosolino (CONSIDERING You), Zoot Sims and Clark Terry. As well as the Bourbon Road gigs, Thompson also followed visitors at additional locations: Joe Henderson, Sheila Jordan, Crimson Mitchell, Dewey Redman, Crimson Rodney, Sarah Vaughan and Kenny Wheeler. Among various other performers with whom he provides documented are Dave Liebman, Jay McShann (Swingmatism as well as other albums), Pal Tate (the Sackville All Superstars’ Saturday Evening Function), and Mel Tormé (Best Drawer and An Evening At Charlie’s). In 1982 he began a five-year spell with George Shearing, touring thoroughly and making information, including Live IN THE Café Carlyle. Within the middle-90s Thompson was appointed designer in residence in the Royal Academy of Music, London, Britain. He also shows in the Banff Center for the Performing Arts, Alberta, Canada, as will Kenny Wheeler with whom Thompson performed frequently through the entire 90s. He also worked well inside a trio with Wheeler and Dave Holland, at this juncture playing piano in deference to Holland’s existence. While at Banff, Thompson shaped the Banff Jazz All Celebrities, documenting Celebration. Through all of those other 90s and on in to the fresh century, Thompson continuing to business lead his own little groups also to show up with a great many other rings including JMOG which he co-leads. Furthermore to piano, bass and percussion, Thompson also takes on vibraphone. He offers won many honours, including the desired Canadian Juno for Jazz Recording Of THE ENTIRE YEAR in 1979 and 1984. He offers regularly topped the Jazz Record poll within the vibraphone category as soon as the composer category. An extremely accomplished musician, competent accompanist and motivating innovator, Thompson’s resourceful virtuosity makes him a new player worthy of interest.