Daron Hagen

The music of Daron Aric Hagen is notable because of its warm lyricism, but his style defies easy categorization. While his functions demonstrate fluency with a variety of twentieth hundred years compositional methods, those techniques are supplementary to his exploitation and extension of the options of tonal tranquility, offering his music an immediacy that means it is appealing to a broad spectrum of viewers. His music is normally broadly eclectic, sketching on a number of designs as different as jazz, Broadway, Latin music, Italian verismo, and gentle rock and roll. While Hagen works together with consistent success in several genres, the building blocks of his oeuvre may be the artwork song, an application that features his melodic and dramatic abilities, exemplified by Dear Youngsters (predicated on American Civil Battle tales) and Music of Madness and Sorrow. His instructor Ned Rorem famously mentioned of him, “Daron is normally music.” Blessed in Milwaukee in 1961, Hagen started his musical research in the Wisconsin Conservatory of Music, carrying on his education in the College or university of Wisconsin, the Curtis Institute of Music, as well as the Juilliard College. Hagen’s teachers consist of such prominent composers as Ned Rorem, Joseph Schwantner, David Gemstone, Witold Lutoslawski, and Leonard Bernstein. Currently known for music cycles made up in the 1980s that shown his present for lyrical and significantly astute text placing, Hagen considered opera with Glowing Brow (1990-1992), a musical evocation of the life span of architect Frank Lloyd Wright, having a libretto by poet Paul Muldoon. Additional stage functions consist of Vera of NEVADA (a “headache cabaret opera”), Bandanna (an opera obtained for blowing wind ensemble, loosely predicated on Othello), and he offers received a percentage through the Seattle Opera for a fresh work, Amelia. Additional commissions include items for the brand new York Philharmonic, the Curtis Institute of Music, the College or university of Wisconsin, the King’s Performers, pianist Gary Graffman, violinist Jaime Laredo, and cellist Sharon Robinson. In the past due ’80s and through the entire ’90s, Hagen obtained a status as a keen coach, teaching at Princeton College or university, the Curtis Institute, Bard University, New York College or university, and the town College of NY. Hagen’s several honors and honours are the Bearns Award from Columbia School, the Charles Ives Fellowship in the American Academy of Arts and Words, Opera America’s “Following Stage” Prize, a Rockefeller Base Grant, as well as the Barlow International Structure Reward for Chamber Music.