Composer and pianist Peter Greenwell channeled the style and wit of his coach, Zeroël Coward, to emerge among the postwar generation’s foremost interpreters from the cabaret custom. Blessed in Warwickshire, Britain, on August 12, 1929, Greenwell started his theatrical profession as an professional, concurrently using his skills being a pianist to create incidental music — composing quickly superseded performing, and in 1959 he teamed with lyricist Peter Wildeblood to full his 1st full-length musical, The Crooked Mile. A criminal offense story occur London’s Soho area, it opened up to reviews that are positive in the Cambridge Theater and went for 164 shows, making a celebrity of lead Millicent Martin along the way — Greenwell and Wildeblood following reunited for Home of Credit cards, which earned a crucial drubbing but apparently gained the admiration of Andrew Lloyd Webber. In 1962, while playing piano in the Players’ Theater, Greenwell was contacted by Coward’s partner, Graham Payn, to serve as an accompanist at a Coward gala — both men demonstrated ideal collaborators, and continuing to interact in concert and in the studio room until Coward’s loss of life in 1973. By that point Greenwell was popular in the film globe aswell — after offering as musical movie director on 1969’s The Virgin Troops, he gained an Academy Honor nomination for his efforts to Ken Russell’s 1971 display musical The Boy Friend. After relocating from London to Spain, Greenwell transitioned from stage and display to cabaret efficiency, proving the most obvious heir to Coward’s wickedly mordant strategy — in 1996, he actually launched his personal one-man Coward tribute display, A Talent to Amuse, and in 1999 headlined Birmingham University’s inaugural Noël Coward Meeting. Greenwell passed away in Denia, Spain, on June 4, 2006.