Camille Bazbaz

French pop-reggae-soul musician Camille Bazbaz’s profession began during his university years as an associate from the politically charged, rebellious punk rock and roll group Cri de la Mouche (Cry from the Take a flight). Bazbaz remained with the group through the entire ’80s, portion as the group’s organist. Inspired with the punk and rock and roll sounds from the ’70s, Cri de la Mouche remained energetic until their divide in 1990. Bazbaz had taken the chance to explore brand-new stylistic directions, including reggae, spirit, as well as the blues, but most of all hip-hop. Bazbaz dove headfirst in to the rap and hip-hop idioms in the first ’90s, collaborating with French hip-hop music artists like JoeyStarr, who eventually made an appearance on his debut record, Dubadelik, released in 1996. Shaded with soft reggae inflections and seen as a Bazbaz’s typically funny and seductive lyrics, the record was well-received with the rising French metropolitan music community. Dubadelik gained Bazbaz a popularity as an underground up-and-comer, starting doors into various other innovative circles. Filmmaker Pierre Savadori commissioned Bazbaz to compose the soundtracks for four of his movies, Comme Elle Respire (1997), Les Marchands de Sable (2000), Apres Vous (2003), and Hors de Prix (2006). As he obtained recognition being a film composer, Bazbaz’s single discography continuing to grow using the produces of Une Envie de Chien (2000) and Sur le Bout de la Langue (2004). A pilgrimage to Kingstown, Jamaica, created the artist’s 4th single record, La Bonheur Fantome. Documented with an assortment of regional music artists and Bazbaz’s regular collaborators, the record became the artist’s most Western world Indies-centric task to time. The album’s discharge in-may of 2007 was accompanied by a active touring schedule that could consider Bazbaz and his bandmates to every part from the French globe music circuit.