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Camilla Nylund

Though she was active in opera, concert function, and recordings in the latter half from the 1990s, Camilla Nylund emerged in the first many years of the 21st century among the leading sopranos regularly appearing in the operas of Wagner, Richard Strauss, and Mozart. Her repertory, nevertheless, is a lot broader than that evaluation suggests, since it consumes a number of assignments: Mimi (La bohème), Rusalka, Leonore (Fidelio), Anne Trulove (The Rake’s Improvement), and Desdemona (Otello), to mention but several; and a massive selection of concert functions by J.S. Bach, Bernstein, Bruckner, Mahler, Ravel, Sibelius, Zemlinsky, and ratings of others, including modern composers. And in addition, she has made an appearance at lots of the world’s main operatic venues, like the Vienna Condition Opera, La Scala, Deutsche Oper Berlin, as well as the Finnish Country wide Opera. Furthermore, she has made an appearance in collaboration with lots of the most important Western european and American orchestras and provides produced over 30 recordings, obtainable from DG, Hänssler Common, ArtHaus Musik, and various other brands. Camilla Nylund was created in Vaasa, Finland, in 1968. She examined tone of voice with Eva Illes and acquired later studies on the Salzburger Mozarteum. Nylund was an ensemble member using the Hannover-based Niedersächsischen Staatsoper, from 1995-1999. During this time period she appeared on her behalf first recordings: modern Finnish composer Mikko Heiniö’s Hermes, over the Ondine label, as well as the E.T.A. Hoffmann Miserere, on Koch International, both released in 1996. Nylund following served as an associate from the Saxon Condition Opera in Dresden, from 1999-2001. While there she was the receiver of the esteemed Christel Goltz-Preis in 2000. She also produced several notable debuts for this period, including using the Chicago Symphony Orchestra (2001), performing Richard Strauss’ Four Last Music. Nylund’s first Dvd movie made an appearance in 2002, the extremely successful Dacapo creation of Langgaard’s Antikrist, where she sang THE FANTASTIC Whore. In 2004 Nylund produced her acclaimed Zurich debut as Leonore in Fidelio, under Nikolaus Harnoncourt. On her behalf 2008 Salzburg Celebration debut she sang the name function in Rusalka, with Franz Welser-Möst performing the Cleveland Orchestra. In 2008 Nylund was presented with the name kammersängerin (chamber vocalist) with the condition of Saxony. Nylund’s 2009-2010 plan included appearances in the Oper Frankfurt (as Arabella), Opéra Country wide de Paris (as Salome), Cologne Condition Opera (as the Marschallin), and several others. Nylund’s even more acclaimed later on recordings are the 2010 ArtHaus Musik Dvd and blu-ray of Wagner’s Rienzi, which she sings Irene.

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