Beto Sem Braço

A talented samba composer discovered in the past due ’70s, Beto Sem Braço has already established his masterpieces recorded by many of the greatest modern interpreters and composers with this genre. When he was an associate from the Ala de Compositores (Composers’ Section) from the Império Serrano samba college, he published his most effective samba enredo, “Bum, Bum Baticumbum, Prugurundum” (with Aloítherefore Machado). Having dropped an arm after a fall from a equine, he was presented with his nickname (Beto Lacking any Arm). Beto Sem Braço distributed a common future with most talented composers from the shanty cities who have been found out beyond the edges of their areas only later on in lifestyle. In his case it had been Beth Carvalho, who provided him to a more substantial market through her 1978 record De Pé no Chão, where she documented “Marcando Bobeira” (Beto Sem Braço/Dão/João Quadrado). Within the next calendar year, Almir Guineto documented “Lindo Requebrado” (Beto Sem Braço/Almir Guineto/Carlos Senna/Adalto Magalha) for his LP Jeito de Amar. In 1980, Paulinho Mocidade documented “Põe Pimenta” (Beto Sem Braço/Jorginho Saberás) over the LP Se O Caminho é Meu. Beth Carvalho also documented “Quando o Povo Entra na Dança” (with Carlito Cavalcanti) on her behalf Sentimento Brasileiro (1980) record and “Escasseia” (with Aluísio Machado/Zé perform Maranhão) on her behalf LP Na Fonte, having among her biggest strikes with “Camarão Que Dorme a Onda Leva” (with Zeca Pagodinho/Arlindo Cruz) included on Suor no Rosto (1983). In 1984, Carvalho documented “São José de Madureira” (with Zeca Pagodinho) with Martinho da Vila. 2 yrs afterwards, Zeca Pagodinho documented “Quando European union Contar, Iaiá” (with Serginho Meriti), “Vou Lhe Deixar no Sereno” (with Jorginho Saberás), “Cidade perform Pé Junto” (with Zeca Pagodinho), and “Brincadeira Tem Hora” (with Zeca Pagodinho). That same yr, Carlos Sapato documented “Papagaio” (with Almir Guineto/Luverci Ernesto). The music was contained in the collection Explosão perform Pagode and reached nationwide achievement. Almir Guineto after that documented “Quem Me Guia” (with Serginho Meriti) and “Flecha perform Cupido” (with Almir Guineto/Guará da Empresa). In 1987, Dominguinhos perform Estácio documented “Dura Prova” (with Serginho Meriti/Aloísio Machado) for his LP Bom Ambiente, and Reinaldo place “Coco de Catolé” (with Joel Menezes) on his Aquela Imagem. In the same yr, Alcione documented “Na Paz de Deus” (with Sombrinha/Arlindo Cruz), Jovelina Pérola Negra documented “Feira de São Cristóvão” (with Bandeira Brasil) and “Calango perform Morro” (Paulo Vizinho) on Luz perform Repente, Almir Guineto interpreted “Coisa da Roça” (Beto Sem Braço/Almir Guineto) on his Perfume de Champanhe, as well as the Exporta Samba documented “Daltônico Varela” (with Serginho Meriti), “Samba em Berlim,” and “Morena perform Canjerê” (both with Joel Menezes). In 1988, Elza Soares documented “Erê” (with Bandeira Brasil) on her behalf Voltei recording and Zeca Pagodinho interpreted “Manera, Guyé” (with Serginho Meriti/Arlindo Cruz) on his Jeito Moleque launch. In 1990, Zeca Pagodinho documented “Aonde Será Que European union Vá” (with Martinho da Vila) on his Compact disc Mania de Gente and, six years later on, “Boi” (with J. C. Santos) on his Compact disc Deixa Clarear. Pagodinho also documented “Camarão Que Dorme a Onda Leva” and “São José de Madureira” for his Ao Vivo (1999) recording. With this same yr, Leci Brandão documented “Com Toda Essa Gente” (with Dudu Nobre/Zeca Pagodinho) on her behalf Auto-Estima. In 2000, Zeca Pagodinho included “A Paisagem” on Água da Minha Sede.