Wilma Cozart Good was being among the most essential recording manufacturers of classical music in the mid-20th hundred years. Along with her hubby C. Robert Great, she increased to legendary levels for the recordings she oversaw. Cozart Great, a vice leader at Mercury Information, typically offered at documenting periods as the documenting movie director, and her hubby was the principle engineer and specialized supervisor. The recordings they created from the 1950s and early ’60s are respected even today because of their startling realism and impactful sound. Cozart Great was also a shrewd professional, signing (or dealing with) celebrated performers like pianist Sviatoslav Richter and main orchestras just like the Chicago Symphony and using capture phrases like “living existence” to improve product sales. The Fines also produced recordings released beneath the brands of Philips, Nixa, and Ricordi. Wilma Cozart Great was created in Aberdeen, MS, on March 29, 1927. Reared in Forth Value, TX, she examined music education and business administration on the School of North Tx. In the past due ’40s Cozart Great became the non-public secretary to Antal Dorati, after that conductor from the Dallas Symphony Orchestra. She briefly offered as Dorati’s secretary when he became music movie director from the Minneapolis (right now Minnesota) orchestra. In 1950 she relocated to NY and became a member of Mercury Information. She could indication the Chicago Symphony Orchestra under Rafael Kubelik, whose 1951 Photos at an Exhibition LP was an enormous success. A good New York Instances overview of the documenting described its vibrant sonics as “living existence.” Thereafter Cozart Good coined the word, as well as the label was known as Mercury Living Existence. In 1957 Cozart Good married Bob Good. By then that they had currently enjoyed several successes, like the 1954 Dorati Minneapolis Symphony documenting of Tchaikovsky’s 1812 Overture. Quickly Cozart Good and her group were utilizing 35 millimeter film for recordings rather than standard magnetic documenting tape. In 1962 Cozart Good and company journeyed to Moscow for recordings classes from the pianist Byron Janis. It had been the very first time American specialists and staff had been permitted to record in the Soviet Union. The outcomes were an excellent success: both recordings, a Prokofiev/Rachmaninov concerto recording and an Encores LP, had been deftly headlined on the addresses: “NEW! FIRST-TIME EVER!” Cozart Good retired in 1964 to improve her family members, which would ultimately consist of four sons. In 1989 she surfaced from pension briefly to supervise remastering some Living Existence recordings for Compact disc issue.