Tag Archives: New Orleans Blues

One among probably the most flamboyant Fresh Orleans pianists in recent memory, James Carroll Booker III was a significant influence on the neighborhood rhythm & blues scene within the ’50s and ’60s. Booker’s teaching included classical teaching until age group 12, where time he previously already begun to get recognition …

With her lone hit “I UNDERSTAND (YOU DO NOT Love Me FORGET ABOUT),” singer Barbara George documented among New Orleans R&B’s definitive crossover smashes. Blessed Barbara Ann Smith within the Crescent City’s Ninth Ward on August 16, 1942, she started singing as a teenager in her Baptist cathedral choir and …

The tellin’ “WHY My Pet Don’t Bark at You FORGET ABOUT,” from the Gospel-Wailing, Jazz-Playing, Rock and roll N’ Rollin’ Soul-Shouting, Tap-Dancing Bluesman from New Orleans album released in 1974 on Big Keep Information, epitomizes Cousin Joe’s classic piano blues design. Joe’s a pioneering blues vocalist born Dec 20, 1907 …

Vocalist Blue Lu Barker was created, raised, and buried in New Orleans; her funeral also turned into a favorite video transmit spotlighting the town’s jazz funeral customs. Like many early Louisiana executing artists, promises to her paralyzing impact over the whole country’s jazz and blues moments tend to be produced …

Dave Bartholomew has often been quoted to the result that Smiley Lewis was a “misfortune singer,” because he never sold a lot more than 100,000 copies of his Imperial singles. In retrospect, Lewis was a lucky guy in lots of respects — he liked stellar support from New Orleans’ ace …

“Becoming more popular” might have been a sensible way to describe guitarist, vocalist, and songwriter Anders Osborne previously in his profession, but Osborne’s popularity has certainly pass on beyond the edges of New Orleans, a town where he first slice his teeth and developed a status for incendiary concert events. …

Guitarist, vocalist, songwriter, and manufacturer Papa Mali certainly places his own distinctive spin on American vernacular music and it all displays in his live shows and on many of his excellent single albums. Definately not a straight-ahead bluesman, Mali has an enticing mixture of blues, funk, swamp music, and spirit, …

Al Johnson’s “Carnival Period” is really as much an integral part of the Mardi Gras custom in New Orleans as parades, floats, and masked revelers. The melody provides reigned supreme through the city’s celebratory period for four years with only a small number of rivals, such as for example “Go …