Home / Tag Archives: Hard Bop (page 30)

Tag Archives: Hard Bop

Dale Bruning

b. 8 November 1934, Carbondale, Pa, USA. As a little child Bruning performed piano so when in senior high school shifted to acoustic guitar. He also became adept at other devices, including tuba, dual bass, vibraphone and drums. It had been on guitar, nevertheless, that he continued the street with …

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Hank Marr

Unsung organist whose groove and place ever sold remains uncemented. As well bad — he’s among the masters from the Hammond B-3.

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Hank Crawford

With an unmistakable blues wail, filled with emotion and poignancy, altoist Hank Crawford bridges the gap between that tradition which of jazz more completely than every other living horn player. Delivered in Memphis, Crawford was steeped within the blues custom from an early on age. He started playing piano but …

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Harold Land

Harold Land can be an underrated tenor saxophonist whose shade has hardened as time passes and whose improvising design following the 1960s became influenced by (however, not a duplicate of) John Coltrane. He was raised in NORTH PARK and began playing tenor when he was 16. After functioning locally and …

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Mal Waldron

A pianist having a brooding, rhythmic, introverted design, Mal Waldron’s taking part in is definitely flexible enough to match into both hard bop and freer configurations. Affected by Thelonious Monk’s usage of space, Waldron has already established his own unique chord voicings almost right away. In early stages, Waldron performed …

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Gloria Coleman

Organist Gloria Coleman made a set of spirit jazz albums for the Impulse label within the mid-’60s, neither which is on the net at this time or continues to be reissued. One presented Leo Wright, Give Green and Pola Roberts, another Ray Copeland, Dick Griffith, Wayne Anderson, Earl Dunbar and …

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Hank Levy

A significant arranger, Hank Levy is best-known for his longtime association with Stan Kenton’s Orchestra. He researched music at a number of different establishments (the U.S. Navy College of Music, the faculty of William & Mary, Peabody Conservatory, the Catholic College or university of America, and Towson Condition College or …

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Gary McFarland

Largely forgotten right now, Gary McFarland was one of the most significant contributors to orchestral jazz through the early ’60s. An “adult prodigy,” as Gene Lees accurately mentioned, McFarland was a nifty little composer whose music could reveal tones of complex psychological subtlety and smart childlike simplicity. Within the Military, …

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Gigi Gryce

Gigi Gryce was an excellent altoist in the 1950s, nonetheless it was his composing abilities (including composing the typical “Minority”) which were considered perhaps most obviously. After we were young in Hartford, CT, and their studies at the Boston Conservatory and in Paris, Gryce proved helpful in NY with Maximum …

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Cecil Payne

Acclaimed by peers and critics among the best possible baritone saxophonists from the bebop era, Cecil Payne continues to be best kept in mind for his three-year stint with Dizzy Gillespie’s seminal postwar big strap. Created in Brooklyn, NY, on Dec 14, 1922, Payne started playing saxophone at age group …

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