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Susan Graham

Created in Roswell, NM, in 1960, mezzo-soprano Susan Graham started her professional operatic and concert profession soon after completing a master’s level in music in the Manhattan College of Music. A participant in the SAN FRANCISCO BAY AREA Opera’s Merola youthful artists’ system and successful from the Metropolitan Opera Auditions, she quickly obtained a foothold in the main performing venues in america, like the Santa Fe Opera (Dorabella in Così lover tutte), St. Louis Opera (Erika in Samuel Barber’s Vanessa), Chicago Lyric Opera (Annius in Mozart’s La Clemenza di Tito), and Seattle Opera (Charlotte in Massenet’s Werther and Stephano in Gounod’s Roméo et Juliet). In 1989 she produced her Carnegie Hall debut in Mahler’s Des Knaben Wunderhorn, and sang the name part in the 1st American and English stagings of Massenet’s Chérubin. Her Metropolitan Opera debut is at the 1991-1992 time of year, where she sang Second Woman in The Magic Flute, Cherubino in The Relationship of Figaro and Tebaldo in Verdi’s Don Carlos. Through the 1990s, Graham founded herself as an designer of worldwide caliber, and added the opera homes of SAN FRANCISCO BAY AREA, Lyon, Salzburg, Covent Backyard, and Vienna to her carrying out schedule. During this time period she also released several recordings, including an extremely regarded efficiency of Berlioz’ Nuits d’été, and a collaborative work with sopranos Renée Fleming and Barbara Bonney entitled Strauss Heriones. A 1998 launch, entitled La Belle Époque: Tracks of Reynaldo Hahn was an effective follow-up to her previously Berlioz work, and verified her accomplishments as an interpreter of French music. She’s made several recordings of operas and tracks, most of them concentrating on the French repertoire. In the entire year 2000, Graham sang the starring part of Sister Helen Prejean in Jake Heggie’s Deceased Man Strolling, a function commissioned by and 1st performed in the SAN FRANCISCO BAY AREA Opera. The creation was a crucial and popular achievement, and — especially due to its association with Sister Prejean’s well-known publication and the similarly popular movie making — brought Graham a way of measuring media exposure uncommon for an operatic vocalist. She also sang in the globe premieres of John Harbison’s THE FANTASTIC Gatsby and Tobias Picker’s An American Tragedy on the Metropolitan Opera. In 2007 she starred within a widely-acclaimed brand-new creation of Gluck ‘s Iphigénie en Tauride on the Met.

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