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Savage Aural Hotbed

A ’90s industrial music group with nary a heavy-metal riff nor computer-oriented defeat to be observed, Savage Aural Hotbed formed in 1986 performing exactly the same electronic body music as their contemporaries. The impact of Japanese Taiko drumming, nevertheless, led percussionists Tag Dark, Stuart DeVaan, David Sarrazin and Valts Treibergs (plus bassist/vocalist William Melton) to begin with playing music with an increase of organic characteristics — as if Einsturzende Neubaten utilized Asian percussion musical instruments rather than metallic objects. Because the group fine-tuned their live present through the early ’90s — playing at Minneapolis’ Walker Artwork Middle, the Hennepin Middle for the Arts, and working their first music-theater parts Bio-Robot (Ressurection) and Alkahest (Sound Solvent) on the Crimson Eye Theater — they begun to explore found-sound musical instruments more typically American, such as for example hubcaps and main appliances. After launching a cassette of the work entitled Gomi Daiko (Garbage Drums), Savage Aural Hotbed agreed upon to Minneapolis’ very own Twintone Information and released Cool Is the Lack of Temperature in 1996. Twelve months afterwards, the quintet came back with Pressure of Silence.

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