Rick Lee

The Local American struggles from the 17th century inspired banjo player and keyboardist Rick Lee’s best-known tune, “Natick.”Written in 1984 and 1st documented by Solomon’s Seal, the folk/chamber music ensemble that Lee led along with his previous wife, Lorraine, the music is definitely a heartbreaking accounts of the tragic event. It had been re-recorded by Lee as the name tabs on his 1995 single album. As the unique version presented fiddle, whistle, dulcimer, and banjo, the brand new recording is a far more contemporary rendition offering bass, drums, banjo, acoustic guitar, and two vocalists. A indigenous of NY who was raised in Tx, Lee comes from a musical family members. His grandmother was a chapel organist and pianist, while his mom performed piano. His first memories are laying beneath the piano and hearing them play duets. Lee’s grandfather possessed a lovely tenor vocal firmness and have been an acquaintance of Uncle Dave Macon. Traditional ballads offered the majority of Lee’s early repertoire. Although he sometimes performed in folk music coffeehouses along with his ex-wife on dulcimer, music was only a spare time activity. Moving towards the Boston region in 1963, Lee hosted a folk radio display broadcast by general public radio train station WGBH-FM, and worked well as a maker for television train station WGBH. The Lees began acquiring their musical professions significantly in 1970. Their 1st album, Surviving in the Trees and shrubs, was documented in 1975. They documented two following duo albums, Contrasts and Leeway for Dulcimer. As well as whistle participant Sarah Bauhan and fiddler Jane Orzechowski, they documented two albums, Greengate as well as the Old Street as Solomon’s Seal. Lee started playing piano and digital keyboards in 1969. After separating from his ex-wife, he worked well for a couple of years with guitarist Holly Gettings. Furthermore to performing like a duo, Lee and Gettings collaborated with old-timey mandolin and guitarist Andy Might, and Lee and Gettings also performed many displays of gypsy fiddle music and traditional Brazilian music with fiddler Joel Glassman. Since 1994, Lee provides continued to utilize Andy May and spent some time working within a trio with Dave Howard (electric guitar) and Costs Walach (mandolin, bass). He in addition has worked regularly with multi-instrumentalist Bob Zentz and released There’s DISCUSS a Fence in 1999.