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Search Results for: Snowden

Don Kirkpatrick

A good pianist who was simply a talented arranger, Don Kirkpatrick kept busy through the golf swing era. As a new player, he was best-known for his longtime association with Chick Webb (on / off during 1927-1937) and Don Redman (1933-1937). Kirkpatrick, who also caused Harry Light, Elmer Snowden, Zutty …

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Eilert Pilarm

Eilert Pilarm, whose actual surname is usually Dahlberg, fashioned himself into Sweden’s version of Elvis Presley. He released three cassettes that protected the King’s materials, appropriately known as Elvis I, Elvis II, and Elvis III. He distributed these by email order or pursuing his concerts. From those produces he culled …

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Joe Garland

Joe Garland, the author of “In the Feeling,” never became popular himself but was a significant push in jazz behind the moments. An excellent reed participant who in his profession was noticed on tenor, baritone, and bass saxophones furthermore to clarinet, Garland was also a talented arranger-composer. He started playing …

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Rudy Powell

An excellent journeyman clarinetist and altoist, Rudy Powell (who in old age would switch his name to Musheed Karweem) had a reasonably productive profession. He analyzed piano and violin as a kid before switching to saxophone. Powell was a specialist musician by 1927, using June Clark and Gene Rodger’s Revellers. …

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Greely Walton

Swing-era tenor saxophonist Greely Walton played in many well-known bandleaders from the past due ’20s, including Elmer Snowden, Benny Carter, Luis Russell, Horace Henderson, Cootie Williams, and Cab Calloway. Walton’s initial device was violin. He researched music on the College or university of Pittsburgh before getting into a music profession. …

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Big Al Sears

b. Albert Omega Sears, 21 Feb 1910, Macomb, Illinois, USA, d. 23 March 1990, NEW YORK, NY, USA. After playing alto and baritone saxophones in a variety of rings in the north-eastern expresses, Sears turned to tenor saxophone and transferred to NY, where he was shortly popular. In the past …

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Bob Fuller

Simply no educated listener would ever declare that an integral is of simply no importance to a jazz and blues saxophonist, but Bob Fuller didn’t realize just what a powerful thing an integral is until he still left the music business completely. That’s because Fuller’s following work, after spending a …

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Al Sears

It really is ironic that tenor saxophonist Al Sears’ one hit, “Castle Rock and roll,” was recorded under Johnny Hodges’ name (the altoist is virtually absent within the record), denying Sears his one opportunity at popularity. Sears had in fact had his 1st important work in 1928 changing Hodges using …

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Tommy Bryant

In jazz, the advice to “choose the brothers” when piecing together a rhythm section will not will have racial connotations. Tommy Bryant was among the great bassists within this genre, even more reliable when compared to a specific large time clock in London, his shade within an similarly towering way. …

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Arthur Whetsol

Arthur Whetsol, among the initial users in Duke Ellington’s Washingtonians, had a stylish firmness, impressive technique, and an extremely lyrical design that set a typical for Ellington; in potential years Harold “Shorty” Baker packed a similar part with Duke. A child years friend of Ellington, Whetsol found NY with Duke …

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