Nina Stemme

Nina Stemme is a Swedish soprano who made her operatic debut in Cortona, Italy, in 1989, and has since performed a lot of the main functions in her vocal range. In 1994 she graduated from your National University of Opera in Stockholm, but experienced by that point already received the Operalia Globe Opera Competition, and performed with Plácido Domingo at concerts at La Bastille in 1993 and 1994. Early in her profession, Stemme sang the functions of Cherubino in Mozart’s Le nozze di Figaro, Mimi in Puccini’s La bohème, Euridice in Gluck’s Orfeo ed Euridice, and Rosalinde in Johann Strauss’ Pass away Fledermaus. She’s performed all over the world at such opera homes as the Royal Swedish Opera, the Semperoper Dresden, the Vienna Condition Opera, the SAN FRANCISCO BAY AREA Opera, the Metropolitan Opera, as well as the Royal Opera Home at Covent Backyard. Among the key roles she’s made her personal are Puccini’s Tosca and Manon Lescaut, Richard Strauss’ Salome, Shostakovich’s Woman Macbeth of Mtsensk, and Wagner’s heroines, including Elisabeth in Tannhäconsumer, & most notably Isolde in Tristan und Isolde, which she’s performed at Glyndebourne, the Royal Opera at Covent Backyard, with Bayreuth. She’s recorded the component of Isolde double, once for EMI, performing with Domingo and executed by Antonio Pappano, and on PentaTone, performing with Stephen Gould and executed by Marek Janowski. Various other Wagnerian heroines she’s performed are Eva in Pass away Meistersinger von Nürnberg, Sieglinde in Pass away Walküre, Elsa in Lohengrin, and Brünnhilde in Der Band des Nibelungen in SAN FRANCISCO BAY AREA. She’s also sung the component of Leonore in Beethoven’s Fidelio, Marie in Berg’s Wozzeck, and Maria in Sandström’s Ordet.