Nick Caizza came honking from the wilds of Pa, and by his early twenties, was taking part in in some from the classiest big rings. Later on he became a familiar encounter around the traditional jazz scene, producing lots of recording classes with trumpeter and bandleader Muggsy Spanier, among numerous others. His specialized abilities allowed him usage of the brand new York studio picture, and his widest publicity was probably on edges cut with Frank Sinatra. In his old age, Caizza appeared to be into a even more laid-back way of life and became referred to as a woodwinds instructor, including flute. Caizza arrived up in the Woody Herman big music group around 1937, and within a couple of years was a part of a large-ish ensemble that Louis Armstrong both toured and documented with. In the ’40s he was often together with Spanier, and doodled several obligato behind Aged Blue Eye circa 1943. He partnered up with a number of various other swing-era greats aswell, and documented documentation of the collaborations displays him to become as regular as the tides, his brain working in comparison to the intense, competitive notions that occasionally inhabit this genre of music, to its detriment. Previous Duke Ellington trumpeter Rex Stewart supplied a delicious, blustery foil for the saxophonist. The rings of trombonist Trummy Youthful were also exciting and filled with good feeling moving backwards and forwards between your players, old close friends all. Caizza liked the fiendish laughter of one-armed bandleader Wingy Manone and his regular staff of accomplices. One wonderful 1950 recording program for MGM pairs up Caizza with clarinetist Hank D’Amico, and it’s really an excellent sound, occasionally punctuated abruptly by intentionally “poor” notes. Both of these reed players also became a member of up once again about five years afterwards, this time susceptible to vocalist Bob Houston, leading to the release from the guaranteeing “Valley of Golden Dreams” as well as the overbearing “Mama Mia.” If those game titles sound bad, be aware that Houston may be the same guy who documented “I Went to get a Walk in Oconomowoc.” Probably it was contact with such inane materials that motivated Caizza to instruct others to try out. He continues to be an important motivation to NY area flute learners, who hyperlink him to area of the advancement of varied teaching flute-osophies.