As fifty percent of the renowned writing/production team of Leiber and Stoller, through the ’50s and ’60s Mike Stoller was simultaneously a dedicated follower of dark culture and music and something of its defining forces. Given birth to in Belle Harbor, Very long Island, Stoller’s mom have been an celebrity and an associate from the chorus in Gershwin’s Crazy Encounter. Nudging her child towards traditional piano lessons, Stoller rather rebelled and started playing boogie woogie and bebop jazz in his teenagers and frequenting the R&B night clubs of Harlem. When he was 16 the family members moved to LA and, immediately after, the normally shy Stoller fulfilled an outgoing hipster called Jerry Leiber. Both teamed up collectively and began composing tunes, Leiber adding lyrics while Stoller published the music. Focused on the blues and Southern R&B, the set wrote prolifically through the entire early ’50s, attempting to stay as authentic towards the music as you possibly can. Through a gathering with Lester Sill of Contemporary Records these were able to obtain many of their tunes recorded, such as for example “Hound Doggie” and “Kansas Town.” But while these were composing in a normal blues vein, it had been Stoller whose piano licks and melodies produced the tunes recognizable beyond the typical 12-pub format. After taking employment at Atlantic Information the duo relocated to NY and began generating groups like the Coasters as well as the Drifters, in addition to composing a few of the most adored tunes within the pop and R&B cannon. Though his profession is inextricably associated with Jerry Leiber’s, far beyond their association you should notice Mike Stoller’s individualistic design of piano playing and melodic method of the blues, since it defined the audio of early-’60s rock and roll & roll.