Mijk Van Dijk

Among Germany’s most significant producers through the ’90s, Mijk Vehicle Dijk recorded a good amount of early techno/trance classics beneath the aliases Microglobe, Mindgear, and Marmion. A bassist for a number of funk bands through the early ’80s, Vehicle Dijk relocated to Berlin later on in the 10 years to are a journalist and started producing house songs in 1988. 2 yrs later, he released the “Hate” solitary, documented for Low Soul as LoopZone. An alliance with fellow Berlin maker/DJ Tanith led to a 1991 LoopZone EP (WHAT’S Noise?) aswell mainly because singles under Tanith’s name so that as 9-10-Boy. By 1992, the discharge of two single singles — “On top of Wish” as Microglobe and “Don’t Stress” as Mindgear — forced Vehicle Dijk’s name in to the global world, and he collaborated with fellow German up-and-comer Cosmic Baby to make a seminal compilation on MFS, Trance: Created From Beyond. In 1993, Mijk Vehicle Dijk’s third main task, Marmion (a co-production take action with Marcos Lopez), debuted using the Berlin EP, a launch on Superstition that strike the world’s dancefloors following the monitor “Schönberg” became a large mover in DJ circles. His 1st full-length, Microglobe’s Afreuropamericasiaaustralica, adopted in 1994 and Vehicle Dijk created his DJing and remixing abilities with dates around European countries and reworkings of songs by Denki Groove and Elements of System. Later produces under his personal name started to cultivate a far more melodic make of trance that easily fit into well using the developing Hi-NRG/intensifying trance picture in European countries. The 1997 Shine LP under his personal name presaged his first blend recording, Multi-Mijk, consisting mainly of his personal songs and remixes. In 1999, he released Teamwork, a complete recording of collaborations with suppliers including Tanith, Claude Youthful, Thomas Schumacher, and Quazar. Furthermore to creation, remixing, and DJing, Vehicle Dijk also relocated in to the soundtrack world with scores for just two movies aswell as the gaming soundtrack Ghost in the Shell. He also created a music-making video game for Sony’s Playstation called Depth.