A maverick electro-acoustic composer located in the unlikely city of Matane, within a rural area of Quebec, Marc Tremblay spent some time working with video performers and improvisers. His are a tape music composer is normally chronicled over the 1999 Compact disc Bruit-Graffiti, released by the critical label Empreintes DIGITALes. His vernacular strategy and obsession with rates from pop music and films make his music a lot more accessible compared to the various other performers in the label’s roster. Blessed 1960, in Hauterive (Quebec, Canada), Marc Tremblay was initially thinking about percussion, pressing his studies towards the Conservatory in Chicoutimi. He afterwards shifted to music structure and electro-acoustic music in the Montreal Conservatory, learning with Clermont Pepin, Jacques Faubert, and Yves Daoust, whose feeling of narrative and capability to make use of outsider music styles he inherited. He earns his living like a documenting techniques teacher in the Matane University. From 1991 to 1994, Tremblay was an associate from the ACREQ (Quebec Association for Creation and Study in Electroacoustics). His functions “L’Argent…Toujours l’Argent” (1990) and “…Ceci Est el Message Enregistre…” (1994) won worldwide awards and brought him a residency in Bourges (France). In the past due 1990s he varied his activities, looking to provide tape music into new multidisciplinary territories. He offers collaborated with video designer Boris Firquet (from the Grand Orchestre d’Avatar and Un Tractor), improvisers Martin Tetreault and Michel Ratte, and article writer Gilles Arteau.