Mad Professor

A disciple of Lee “Damage” Perry, Mad Teacher was among the leading manufacturers in dub reggae’s second generation. His Dub Me Crazy albums helped dub make the changeover in to the digital age group, when digital productions began to dominate mainstream reggae within the ’80s. His space-age paths not only used brand-new digital technology, but frequently extended dub’s sonic blueprint, adding even more elements and levels of audio than his forebears typically do. In the middle-’90s, he came back to the fundamentals, debuting a far more retro-sounding design on the Dark Liberation Dub series. Additionally, he went his own studio room and label, Ariwa, that was house to a well balanced of vocalists (with an focus on fans rock and roll and conscious root base reggae) plus some of the best possible United kingdom reggae productions from the period. As his popularity grew, he became a remixer of preference for adventurous rock and roll and techno works, especially revamping Massive Attack’s whole second album beneath the brand-new title No Security. Mad Teacher was created Neal Fraser (or Neil Fraser) circa 1955 in Guyana, a little country within the northern section of SOUTH USA. He gained his nickname being a preteen, because of his intense fascination with electronics; he also built his very own radio. At age group 13, his family members shifted to London, and around age group 20, he began collecting recording gear: reel-to-reel tape decks, echo and reverb results, and so on. In 1979, he constructed his own combining board and opened up a four-track studio room in his family room within the south London section of Thornton Heath. Contacting it Ariwa, following a Nigerian phrase for audio or conversation, he began documenting rings and vocalists for his very own label of the same name, mainly within the fans rock and roll vein: Deborahe Glasgow, Aquizim, Sergeant Pepper, Tony Benjamin, Davina Rock, and Position Ann, amongst others. Amid problems from his neighbours, he shifted the studio room to an effective service in Peckham, South London. In 1982 he documented his first record, Dub Me Crazy, Pt. 1, and quickly implemented it with another volume, the effective Beyond the Realms of Dub. 1983 brought two even more amounts, The African Connection (frequently acclaimed as you of his greatest) as well as the pretty popular Escape towards the Asylum of Dub. The Ariwa studio room was shifted to an improved neighborhood in Western world Norwood through the middle-’80s, and improved for 24-monitor capability, rendering it the biggest black-owned studio room within the U.K. Following that, Mad Teacher really began to make a direct effect on the United kingdom reggae picture. He produced main strike singles for Ariwa mainstay Pato Banton and Sandra Combination, and in addition helmed the discovery album for mindful reggae toaster Macka B, 1986’s Indication of the days. At exactly the same time, the ragga period was dawning, and all-digital productions begun to dominate reggae. Because the ragga audio grew increasingly more prominent, Mad Professor’s make of dub got spacier and weirder; while ragga detractors complained that Mad Professor’s function sounded sterile set alongside the dub of aged, many praised his otherworldly results and inventive plans. The Dub Me Crazy albums reached the elevation of the experimentalism through the latter area of the ’80s, although by the first ’90s these were displaying signs of innovative burnout. The 12th and last volume within the series, Dub Maniacs around the Rampage, premiered in 1993. In the mean time, Ariwa continuing to prosper like a label, with additional hits by famous brands Macka B, Pato Banton, Sandra Mix, female vocalist Kofi, Intense, Jah Shaka, John McLean, the Robotics, Sister Audrey, Peter Tradition, Johnny Clark, among others. Additionally, he started to collaborate with a few of reggae’s better-known numbers; most crucially, he teamed up with primary impact Lee “Scrape” Perry for the very first time around the 1989 arranged Mystic Warrior. In 1991, he created the to begin many albums for the groundbreaking veteran DJ U-Roy, the acclaimed Accurate Given birth to African; he also continued to utilize famous brands Yabby You and Bob Andy. He turned his concentrate to touring in 1992 and released the 100th recording on Ariwa shortly after. Along with his high-profile collaborators, Mad Teacher started to create a name for himself beyond the reggae community, and quickly found himself popular like a remixer for rock and roll, R&B, and electronica functions. During the period of the ’90s and in to the brand-new millennium, he’d remix monitors by Sade, the Orb, the KLF, the Beastie Guys, Jamiroquai, Rancid, Depeche Setting, and Perry Farrell, amongst others. His best-known task, nevertheless — and one that really established his qualifications — was 1995’s No Security, a totally reimagined edition of trip-hop collective Substantial Attack’s second record, Protection. Perhaps artistically refreshed, Mad Professor’s very own albums began to regain their persistence within the middle-’90s. Mixing consumer electronics with rootsier, even more organic noises indebted to the initial times of dub, he left out the Dub Me Crazy moniker to start a fresh series, the subtly Afrocentric Dark Liberation Dub. The very first volume premiered in 1994, among others implemented steadily in to the brand-new millennium, albeit in a much less prolific pace compared to the Dub Me Crazy installments. Even more collaborations with Perry and U-Roy implemented aswell. In 2005, Mad Teacher celebrated Ariwa’s 25th wedding anniversary using a tour from the U.K. alongside Perry as well as the double-CD retrospective Solution to the Madness. In ’09 2009 he released two albums, Occasions Hard beneath the moniker Mad Teacher vs. Joint Chiefs and the trunk to basics Sound Illusion of Dub.