JPT Scare Band

Whereas with the 21st hundred years any 12-year-old using a notebook and a MySpace web page will make music and also have it heard by an incredible number of strangers, in the pre-internet times artists and rings my work and perform diligently for a long time at a time without escaping utter anonymity, hardly ever mind also sniffing an archive deal. This is actually the tale of (among a great many other groupings) Kansas City’s JPT Scare Music group, which was produced in 1973 by three close friends — vocalist/guitarist Terry Swope, bassist Paul Grigsby, and drummer Jeff Littrell — who merely cherished to jam all night on end, motivated with the psychedelic hard rock and roll of Cream, Blue Cheer, as well as the Jimi Hendrix Knowledge. Although they might soon recognize that their symbiotic musical romantic relationship was something particular and eventually documented the very best fruits of their labor to tape, the JPT Scare Music group (named following its associates’ initial initials, obviously, in addition to the scary amount of their acidity rock and roll jams) never were able to graduate from cellar woodshedding to world-wide stardom. Their casual reel to reel recordings had been therefore obscure and sparsely circulated, actually, the fact that group may likely have been completely forgotten had been it not really for a set of hard rock and roll anthropologists at Monster Information, who monitored them down in the first ’90s and curved up their ’70s shows for limited launch on two vinyl fabric albums, Acid solution Acetate Excursion and Rape of Titan’s Sirens, and later on Compact disc via 2000’s Sleeping Sickness. These reissues had been rave-reviewed and eagerly purchased by enthusiasts of ’70s hard rock and roll, however when the JPT Scare Music group users — still close friends but still jamming in the end these years, contrary to popular belief — asked Monster release a a few of their present-day recordings, the label balked, and by easily moving away from business soon thereafter, motivated the veteran rockers to consider matters to their personal hands. Starting their personal site and indie label, Kung Bomar, the JPT Scare Band quickly issued a fresh collection, Past Is definitely Prologue, mixing older and newer materials in 2002 — after that followed with completely new albums, Echoes from the Everland (2006) and Jamm Vapour (2007), using the guarantee of more fresh and unearthed ’70s materials still to arrive.