John Best

The tenor saxophonist John Best appears to have appeared on only 1 record, but just what a record it really is. African Sanctus was the task of David Fanshawe, far better referred to as the musicologist behind some outstanding field recordings of cultural music. For the early-’70s saving project involving Greatest and enough various other studio room players to stuff a Greyhound bus, Fanshawe stirred jointly African music, a Catholic mass, and avant-garde vocals, and based on the critics experienced the achievement of a chef who tries to make meat stew out of discontinued tires. Judging in the career of the tenor saxophonist, who shouldn’t be confused using the extremely effective jazz and studio room trumpeter from the same name, this is not an record that caused the mainly unknown individuals’ phones to start out ringing from the hook.