Jimmy Liggins

Another from the leap blues professionals whose romping result could be pinpointed while a primary precursor of rock and roll & move, guitarist Jimmy Liggins was an even more aggressive bandleader than his older sibling Joe, because of the titles of their respective combos (Joe led the polished Honeydrippers; Jimmy happily fronted the Drops of Pleasure). Inspired from the achievement of his sibling (Jimmy toiled as Joe’s chauffeur for any 12 months), the ex-pugilist jumped in to the documenting field in 1947 on Artwork Rupe’s Specialty logo design. His “Rip Drop Blues” pierced the R&B TOP the next 12 months, while “Careful Like” and “Don’t Place Me Down” strike for him in 1949. But it’s Liggins’ rough-and-ready rockers — “Cadillac Boogie,” “Sunday Night time Boogie Woogie Man,” as well as the loopy one-chord workout “Drunk” (his last smash in 1953) — that tag Liggins as you of rock’s forefathers. His roaring sax section at Niche was filled by first-rate reedmen such as for example Harold Property, Charlie “Small Jazz” Ferguson, as well as the omnipresent Maxwell Davis. Liggins remaining Niche in 1954, preventing off at Aladdin lengthy enough to polish the classic-to-be “I Ain’t Drunk” (very much later included in Albert Collins) before fading from your scene.