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Jay Cameron

This talented reed player shares the same birthday as Joseph Jarman, another modern jazzman whose taste in axes includes low-speaking horns such as for example bass clarinet and baritone saxophone. It’s the last mentioned horn that Jay Cameron is most beneficial known for, although he also documented on both bass and regular B level clarinet aswell as alto saxophone, the horn he began on in the first ’40s. Cameron was many touches even more of a mainstream jazzman than Jarman, although both possess reputations as interesting soloists. On baritone, Cameron was treated to regular standup features during his tenure with both Woody Herman big music group and trombonist Glide Hampton’s group, possibly the contexts where he was noticed with the widest market. Cameron also had taken part in a large number of outstanding jazz recordings through the ’50s and ’60s, and continues to be profiled as you of several American “expatriate” jazzmen who resided in European countries for extended intervals. He arrived from the music picture in Hollywood in the years rigtht after the finish of the next World War. Until 1947 he was component of Ike Carpenter’s music group; by the finish of the 10 years he had started the to begin his Western european sojourns, teaming up with veteran trumpeter Rex Stewart in France and Italy. In the first ’50s Cameron wandered around with a number of rings in Belgium, Germany, as well as the Scandinavian countries. Cameron spent a lot of 1955 managing a baguette on his leg, employed in Paris with organizations that would frequently strike at the same golf club for four weeks running. The next 12 months he was back america and had started dealing with Herman, in following years gigging with best jazz market leaders, including contrasting trumpeters Chet Baker and Dizzy Gillespie. Trumpet, actually, appeared to be the device of choice for most of his collaborators. Cameron was among the 1st players to utilize Freddie Hubbard when that fiery trumpeter 1st arrived in ny in 1958, while also keeping down the ground for high-note professional Maynard Ferguson through the same 12 months. He was a occupied freelancer of these times, accumulating nearly 35 documenting dates on the a extend of just twelve years. Jay Cameron’s International Sax Music group was among the just tasks under his personal name, and a documenting of the group that shows up with numerous scramblings from the name Third Herdsmen: The Vogue Classes is becoming something of the collector’s item. From the past due ’60s, Cameron toured with multi-instrumentalist and bandleader Paul Winter season. In 1993, writer Bill Moody released The Jazz Exiles: American Music artists Abroad, a report from the expatriate motion with a section concentrating on Cameron.

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