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Ingrid Fliter

Argentian-born Ingrid Fliter is most beneficial known on her behalf incisive interpretations from the piano functions of Chopin and Beethoven. Small known until 2006, she’s emerged among the even more prominent pianists in the worldwide scene, with a significant recording agreement, a half-dozen roughly recordings since that season, and a active timetable of concerts and recitals at main venues throughout the world. Fliter continues to be especially busy in america making appearances using the main orchestras of Cleveland, Cincinnati, LA, SAN FRANCISCO BAY AREA, Seattle, St. Louis yet others. Splitting her residency between NY and Milan, she actually is also mixed up in New York region and on the East Coastline of the united states. She has made an appearance in concert throughout European countries, the U.K., Japan, and Australia. Her repertory also contains functions by Haydn, Mozart, Schumann, Saint-Saëns, Debussy, Ravel, and Bartók. Fliter provides documented for EMI and VAI. Ingrid Fliter (pronounced FLEE-ter) was created in Buenos Aires, Argentina, on Sept 23, 1973. She examined piano with Elizabeth Westerkamp with 16 produced her formal debut with orchestra playing the Beethoven Third Concerto on the Teatro Digestive tract in Buenos Aires. Fliter performed for Martha Argerich down the road, and Argerich suggested her to keep studies in European countries and allowed the eighteen-year-old to make use of her house in Geneva, Switzerland. Fliter after that had studies on the Freiburg Musikhochschule, where her instructors included Vitaly Margulis. Research in Rome with Carlo Bruno implemented, and in 1995 Fliter relocated to Imola, Italy where she examined with Boris Petrushansky and Franco Scala on the International Piano Academy Incontri col Maestro. Fliter captured 4th prize on the 1998 Busoni International Competition in Bolzano, Italy. She continued to win the sterling silver medal in 2000 on the International Chopin Competition in Warsaw. While this is a second-place result, it yielded profession benefits considerably beyond most first-prize surface finishes. In January and Feb 2002 Fliter toured the U.S. using the Warsaw Philharmonic Orchestra under Kazimierz Kord and eventually appeared at main venues throughout the world, unaware she was auditioning on her behalf greatest prize. In 2006 Fliter received that honor when she was called receiver of the exclusive Gilmore Award. Determined from among 450 roughly pianists who are secretly noticed on tour from the Gilmore judges, she loved a meteoric rise. VAI Sound released three discs that same 12 months, including a assortment of Chopin functions produced from a live recital in 2003 in the Amsterdam Concertgebouw. In 2007 EMI authorized her to a agreement and BBC Radio selected her to serve for just two years as a fresh Generation Designer, affording concert looks at main celebrations and concert halls through the entire U.K. After an effective Chopin disk in 2008, EMI released Fliter’s higly acclaimed Compact disc from the Chopin total waltzes in ’09 2009. Fliter dazzled viewers and critics in Perth with her debut Australian tour in June 2011 with recitals of functions by Beethoven and Chopin, and in shows of Mozart’s Concerto No. 23 (K. 488) using the Western Australian Symphony Orchestra under Vladimir Verbitsky.

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