Hecker

DJ/Maker Florian Hecker’s produces under his own name contain a few of the most subtle, nebulous pc music to concern from your extended band of performers from the Vienna-based Mego label. Much like colleagues such as for example Peter Rehberg, Christian Fennesz, and Farmers Manual, Hecker utilizes the pc as a way to fresh compositional strategies, abandoning standard musical constructions and searching for uncommon timbral and textural results through primarily, occasionally specifically, digital means. Given birth to in Augsburg, Germany in 1975, Hecker in addition has performed live with lots of the aforementioned performers, as well much like Tony Conrad, Gerhard Potuznik, Ramon Bauer, and Jim O’Rourke. Hecker’s 1st solo launch made an appearance in 1998 via Mego; the IT ISO161975 Compact disc was a hazy scuffle of digital digesting, and among the label’s most obscure and inferential produces to day. Hecker adopted IT ISO161975 having a launch for the Or label’s CD-R series Designed to Purchase in 1999. (Or also released Farmers Manual’s Explorers_We in 1998.) Entitled [OT] xackpy breakpoint, the Or launch rehashed components of the Mego Compact disc even though adding a little bit of motion and energy. Furthermore to his single releases, Hecker can be an associate of compact disc_slopper, a collaborative task with Oswald Berthold of Farmers Manual. Sunlight Pandämonium from 2003 received the prize of distinction on the Prix Ars Electronica — the “International Competition for CyberArts” — that season. In 2006, Recordings for Rephlex made an appearance in the Rephlex label. The transferring years noticed Hecker within a tireless condition of documenting and performing, frequently dealing with sound installations in galleries, museums, and areas outside of regular music performance locations. His function branched out to add elements of sound, techno, and musique concrète. Some standout produces in an extended discography consist of multiple collaborations with like-minded audio musician Russell Haswell, including 2007’s Blackest Ever Dark; recordings for Warp; and a remix of kosmiche experts Popol Vuh in 2008. Hecker caused conceptual musician Cerith Wyn Evans with an experimental opera entitled No Time No Night, that was shown within the 2009 Venice Biennale. Hecker’s cooperation with Iranian philosopher Reza Negarestani led to a string of produces, including 2012’s Chimerization as well as the thick, skittering consumer electronics of 2014’s Articulação. In 2017, he came back using a Script for Machine Synthesis, his third cooperation with Negarestani.