Experienced pianist/arranger/composer Fernando Merlino could have desired to devote himself exclusively to jazz/instrumental music — he has already established a nomination for the Clear Awards as the very best Instrumental Compact disc of the entire year — but like a great many other instrumentalists, the uninviting Brazilian marketplace for those designs brought him to utilize singers. Doing both recordings and live shows — despite the fact that they are a few of the most expressive/noticeable ones in the united states — he spent some time working with Caetano Veloso, Maria Bethânia, Gal Costa, Chico Buarque, Rosa Passos, Leny Andrade, Simone, Elba Ramalho, Nélson Gonçalves, Leila Pinheiro, Martinho da Vila, Alcione, Fátima Guedes, Beth Carvalho, Zeca Pagodinho, Jamelão, Jair Rodrigues, Baby perform Brasil, Pery Ribeiro, Jorge Aragão, and Martinho da Vila. Merlino began as a specialist playing on the Orquestra perform Maestro Cipó and in Chiquinho perform Acordeon’s group. Having proved helpful being a composer/arranger for Globo Systems, he joined up with Emílio Santiago’s assisting music group in 1982. His 1992 recording (documented along with his group Kabbalah, with whom he documented four additional albums released in Japan) was nominated to get a Clear Award for Greatest Instrumental Recording of the entire year. With Leny Andrade, he noticed the display Juntos in 1993 and with Roberto Menescal, he worked well as an instrumentalist/arranger within the recordings of Venezuelan Luz Marina, Japanese Utsumi Miyuki, japan instrumental group the Square, and performers Cris Delanno and Lisa Ono.