Chas Johnson

It’s been said that each musician is involved with some facet of music background, and regarding Chas Johnson, a Uk keyboardist mixed up in ’60s and ’70s, this might be the change from the Jug Trust in to the Bronx Cheer. While this appears like some type of intrigue regarding girlie periodicals and rude sounds, it really is the same kind of boring obscure rock-band background. Johnson was involved with a method of rock inspired by jug music group music, a method that although gimmicky, is normally lively more than enough to possess kicked off tendencies during at least a fifty percent dozen eras in the music business. By enough time Johnson became a member of the Jug Trust, of which stage the group transformed its name towards the Bronx Cheer, it had been something similar to the fourth period around with regards to a jug music group music fad. This time around the primary perpetrator was a music group called Mungo Jerry. With guitarist, vocalist, and harmonica puffer Brian Cookman composing material such as for example “Barrel House Participant” and “Party of 1,” the Jug Trust trio acquired released a unitary flop in the Mungo Jerry matcher category if they decided to meat stuff up with keyboards. Bronx Cheer’s materials, including an record and EP, premiered over the Dawn label, a fascinating imprint that also released sides with the great guitarist Mike Cooper through the same period.