Antonio Lotti

Antonio Lotti exhibited something of the split musical character while writing a few of the most important music of his area of the Italian Baroque. In his chapel music, he was an arch-conservative, composing very discovered, by-the-book counterpoint, however managing to keep carefully the outcomes amazing. But his music for the operatic stage was similarly brilliant while extremely dramatic and harmonically daring. His dad, Matteo, was the Kapellmeister in Hanover, Germany, where Lotti’s sibling and sister had been given birth to in 1672 and 1673. What’s unsettled is usually when Matteo Lotti and his family members found its way to Hanover, and just what 12 months Antonio was created. Neither is well known with certainty and, therefore, his birthplace might have been either town. By 1683, when Antonio was an adolescent, the family members was back Venice. Antonio analyzed with the essential composer Legrenzi. One of is own first documented musical careers was signing with an as extra vocalist when the recently created fraternity of Santa Cecilia was founded at St. Mark’s basilica. ON, MAY 30, 1689, he was employed as a normal alto vocalist. This will not imply a later on birthday for Lotti, who was simply a countertenor (organic male alto). From then on he worked well his method up through the musical rates at St Marks: associate to the next organist (1690), second organist (1692), 1st organist (1704), short-term primo maestro di cappella (1733), long term primo maestro di cappella (1736). His last position offered him an excellent salary and free of charge lodging. Before after that, he previously supplemented his wages by composing such products like a books of people for St Mark’s, motets, choral functions, and oratorios for the Ospedale degli Incurabili, and operas. Lotti’s operatic debut, Il trionfo dellinnocenza, was premiered in 1692. In a couple of years, he became probably one of the most well-known of composers for the Venetian operatic stage. Between 1706 and 1717 he had written and noticed staged at least 16 operas, furthermore to revising previously functions. In 1717 the procurators from the cathedral granted him and his wife keep to visit Dresden as well as take a number of the music artists from the Basilica with him. There is a succession of gala occasions occurring there, that Lotti provided brand-new operas. Initial, he had written Giove in Argo, that was stated in 1717 in the Redoutensaal. A lighthearted piece known as Le quattro elementi was performed inside a palace backyard regarding the the marriage of Friedrich August, Elector of Saxony, to Maria Gioseffa of Austria in 1719. Finally, a couple weeks later on, there is a revised edition of Giove to open up the brand new Hoftheater. From then on, Lotti came back to Venice and his regular work. Although he received a good looking trainer and horses in gratitude for his function there, he produced no more outings. Furthermore to his sacred music and operas, he had written single cantatas with strings, plus some with continuo just. But he also had written an unusual range of brief pieces for just two or more performers. His Miserere in D (1733) became a custom at St Mark’s, performed every Maundy Thursday night at St Mark’s through the eighteenth hundred years as well as some in the nineteenth. While, as we’ve said, he continued to be quite conventional in his cathedral music (generally to the idea of foregoing any instrumental accompaniment), his secular music monitored all the essential advancements in music through the Baroque period, even to the idea of moving toward the much less contrapuntal music from the awakening Classical period in music. Lotti was also a instructor of take note. Among his learners had been Baldassare Galuppi and Benedetto Marcello.