Yussef Kamaal certainly are a London-based jazz-funk duo whose people are Yussef Dayes and Kamaal Williams (aka Henry Wu). Oddly enough — and one suspects not really coincidentally — their name recalls the fantastic Egyptian designer Kamal Yussef, a founding person in the influential, visually innovative, and multi-disciplinary Groupe de L’Art Contemporain in Cairo in the 1940s. The band’s audio represents a collision of ’70s jazz-funk with 21st hundred years London bass, defeat, and hip-hop. Both are South Londoners. Dayes is usually drummer for Afrobeat music group United Vibrations, while Williams is usually a well-known maker, keyboard participant, and drummer that has issued some 12″ singles under his provided name. The set crossed pathways in 2007 while going after other musical endeavors and kept in contact, intermittently playing collectively. While rehearsing for any one-off gig of Williams’ single material in the Boiler Space, they made a decision to type a music group. That display, a much-talked-about achievement constructed on total groove- and rhythm-based improvisation, resulted in others. Without pre-planned music or plans, the music was usually spontaneously created, frequently born from an individual drumbeat; Williams offers explained their music as “…about drums and secrets….” the duo performed a 20-minute established at Gilles Peterson’s honours show and predicated on its power, signed these to his Brownswood label. Using the Heliocentrics’ Malcolm Catto anatomist, the set enlisted six various other music artists — including saxophonist Shabaka Hutchings — to talk about their vision within a documenting studio, leading to the full-length Dark Focus, released in November 2016.