In every of rock history, there may be few stranger stories than that of Yahowa 13, the mystical quasi-cult psychedelic rock-band that documented prolifically within the middle-’70s. Psychedelic enthusiasts know about Yahowa via their link with Sky Saxon from the Seed products, who sometimes sang with people of the group. Actually, nevertheless, Yahowa 13’s discography mined significantly deeper and much more secret lodes compared to the fairly few tracks a spin-off music group do with Saxon. Centered around the band of disciples from the enigmatic Dad Yod, Yahowa 13 (as well as the related clothes Dad Yod & the Nature of ’76, Yodship, and Open fire, Water, Atmosphere) made nearly twelve limited-circulation LPs, most inside the course of just a few years (1973-1975). These LPs toed the musical lines between professionalism and reliability and amateurism, cosmic profundity and tomfoolery, and motivated and half-assed psychedelicisms. Their legacy is normally even more tough to succinctly summarize considering that the albums frequently differed greatly from one another, to the main point where it was difficult to inform that that they had been documented with the same loose ensemble of Dad Yod followers. It really is easy, and occasionally justified, to snipe at these cult rarities because the function of psychedelic charlatans. Only if from a solely historical point of view, though, they’re worth interest as peculiar artifacts, so when relics of several idiosyncratic music artists who were focused on expressing themselves in a way definitely uncompromised by notions of industrial viability and societal authorization. The Yahowa tale starts in the past due ’60s. Jim Baker, a follower of yoga exercise get better at Yogi Bhajan, became a expert of types himself for an organization called the foundation Family. He went a health meals cafe on Sunset Remove in LA and assumed the name Dad Yod. The precise nature of the foundation Family’s actions and philosophies continues to be secret, however they advocated vegetarianism along with a white natural cotton wardrobe. Among the guys hanging out the Source group was Seed products vocalist Sky Saxon. Among Dad Yod’s disciples had been several music artists, who comprised the loose, floating group that started to make LPs in 1973. It had been eventually uncovered that a lot more than 65 albums had been actually documented, though just nine of these had been released; a lot of the unreleased albums have already been destroyed. A lot of the LPs had been small-press operates of 500 or 1,000 copies, with handful of these escaping . to everyone, though some had been bought from the record shop mounted on the cafe that served because the Supply Family’s method of income. All had been documented within a soundproofed garage area within the around 250-solid family’s communal home that served because the music artists’ studio. Every one of the information with Dad Yod’s participation got for as long to record because they decide to use listen to. The very first four from the albums had been billed to Dad Yod & the Nature of ’76, and so are must-hears for aficionados from the genre referred to as “extremely unusual music.” For the initial three of the LPs, Dad Yod chants/talks inscrutable, and screwball-ish, pseudo-mystical believed against scrappy, just-about-professional psychedelic noodling. It is rather much as though a middle-aged man (which Baker/Yod was) provides abruptly succumbed to cosmic revelations following a strike of acidity and seems compelled to inform the world, with out a hint of shame about either the sophomoric character of his thoughts or his apparent vocal limitations. Just like a mixture Captain Beefheart-Tim Buckley without the from the vocal capability or nuance, Yod plows, and frequently screams, his method for some unknowable destination. Mainly in isolation from 1973’s musical styles, the music group matches him with later-period-psychedelicisms, especially within the distorted and screeching guitars and organs, with jams offering little in the form of regular melodies or songwriting. The albums had been split into side-long paths, merely tagged “Aspect A” and “Aspect B,” befitting their obvious off-the-cuff roots. For almost all their weirdness, Dad Yod & the Nature of ’76 weren’t totally specialized in spontaneous madness. Their 4th record, All or Almost nothing, was almost completely made up of tepid vocalist/songwriter soft rock and roll that sounded like Amateur Hour at the neighborhood coffeehouse, albeit with some off-kilter lyrics; Dad Yod didn’t even show up on the LP. For this period, Dad Yod transformed his name to Yahowa, with another batch of Yod-Yahowa-related recordings showing up beneath the name Yahowa 13. (To increase the misunderstandings, Yahowa was occasionally spelled as Yahowha, Ya Ho Wa, or Yahoweh.) The five albums released by Yahowa 13 circa 1974-1975 found out them acquiring themselves somewhat even more seriously like a rock band, with an increase of interest paid to crafting expressive and achieved riffs and rhythms. Yahowa/Dad Yod was still frequently present on his idiot-savant vocals. It should be stated that the group just truly arrived to their very own — as a thing that might be used seriously by exciting music fans, instead of treated like a cosmic novelty — on those events when Yod was mainly or totally absent from your proceedings. For example, the next Yahowa 13 LP, Savage Sons of Ya Ho Wa, not merely lacked any efforts from Yod/Yahowa, but sounded nearly totally unlike anything Yahowa 13/Dad Yod & the Soul of ’76 got previously done. A lot more than every other Yahowa 13 record, we were holding genuine songs, generally, frequently exhibiting a Neil Youthful fascination that produced them appear to be a rawer, zanier edition of early-’70s Crazy Equine. Yahowa 13’s most effective artistic statement, nevertheless, was their following record, 1974’s Penetration: An Aquarian Symphony. By this time around the group got pretty much settled right down to a few primary music artists, most of whom got the final name Aquarian. Probably the most creative of the was guitarist Djin Aquarian (occasionally spelled Djinn), most likely the just player (apart from Sky Saxon) from the Yahowa/Dad Yod group whose talents had been such that they might have produced their mark around the globe of secular well-known music, beyond the daddy Yod clan. Djin crafted a commendable selection of greatly amped and warped hard rock-psychedelic riffs from his axe, presented prominently through the entire Yahowa 13 catalog, and specifically on Penetration. Dad Yod’s presence upon this mainly instrumental recording is minimal. It really is ominous, throbbing space rock and roll, the strain building and decelerating using the conversation between Djin and tribal rhythms and gongs. This recording is recommended to the people searching for psychedelic rock and roll (or art rock and roll, as it could possibly be termed) that’s comparable to small else from that or various other eras. Yahowa 13 drifted back to formless psychedelic jams, fronted by Yod/Yahowa’s honestly annoying vocals, on the last two albums. Their musicianship acquired definitely improved during the period of their rapid-fire group of middle-’70s albums, however there is absolutely no alternative, eventually, for quality tunes or compositions, that have been not important elements within their frontman’s eyesight. The Yahowa 13 saga finished in 1975, prior to the disparity between your music artists’ abilities as well as the vocalist’s shortcomings could possibly be resolved. By the end of 1974, the foundation Family acquired sold their cafe and transferred to Hawaii. Yod/Yahowa, by this time around wedded to 13 wives, hardly ever established himself as well as the family members there. On August 25, 1975, Yahowa proceeded to go hang-gliding for the very first time and was mortally harmed upon getting, dying after about nine hours. His disciples dispersed within 2 yrs after his transferring. However, music artists that were in Yahowa 13, including Djin Aquarian, continuing to play jointly. In 1977, as Fireplace, Water, Surroundings, they released an eight-track tape, Golden Sunrise, which sounded much like Yahowa 13, but relatively more concentrated and less odd. This is actually the record which includes some vocals by Sky Saxon, though it wasn’t a higher stage in either party’s professions. Still later on in the 1970s, an recording of which small is well known, Yodship, was privately pressed. There is no information regarding the music artists within the cover (actually there experienced never been very much home elevators Dad Yod-affiliated produces), which just bore the name Yodship. It really is apparent from your lyrics, however, that may well have already been the task of Yahowa fans, although it adopted a far more low-volume, folky vibe than a lot of the clan’s earlier albums experienced. Yahowa’s legacy is normally celebrated within the improbable 13-Compact disc box established God and Locks: Yahowha Collection, released by Captain Trip in Japan in 1998. This consists of all four from the albums by Dad Yod & the Heart of ’76; all five from the albums by Yahowa 13; the record by Fireplace, Water, Surroundings; the record by Yodship; two non-LP singles by Dad Yod & the Heart of ’76; and something non-LP one by Yahowa 13. In addition, it has a disk of 1970s recordings (not really overseen with the Yod/Yahowa administration) offering Sky Saxon, along with a disk of previously unreleased materials, most of that is by Open fire, Water, Air. By 2002, the Yahowa 13 music artists Djin, Sunflower, Octavius, and Pythias had been planning to continue producing music as Ya Ho Wa 13. These music artists had been extensively interviewed for this period for an attribute that made an appearance in an ideal Sound Forever webzine, and exposed much of the annals of the music group, which got remained shrouded ever sold for such a long time. This feature/interview could be browse at www.furious.com/perfect/yahowa13.html.