William Centellas

William Centellas didn’t play the charango (a little, five-stringed, guitar-like device tuned in triple shades) until he was learning structures and urbanism at the higher School of San Andres. Nevertheless, in the one fourth of a hundred years since, the Bolivian-born instrumentalist provides more than composed for lost period. The founder from the Bolivian Culture from the Charango (SBC), Centellas provides presented the charango as well as the musical customs from the Andes to viewers in Central and SOUTH USA, European countries, and Asia.