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Pedro Luís was acknowledged within the mid-’90s as a fresh skill in Brazilian pop music, getting rap, funk, and hip-hop affects to samba and maracatu. His music had been documented by Fernanda Abreu (“Tudo Vale a Pena”), Ney Matogrosso (“Fazê o quê?” and “Miséria no Japão,” contained in Olhos de …
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