Tag Archives: 1955 in Midland

Cheryl Studer’s repertoire is probably the widest-ranging of these of any soprano, which range from the Baroque towards the twentieth hundred years; her functions consist of Violetta (La Traviata), Die Kaiserin in Die Frau ohne Schatten, Odabella in Verdi’s Attila, the Countess in The Marriage of Figaro, Floyd’s Susannah, and …

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