Since his name appears like an automobile manufacturer, and even may be the name of several companies and a festival town in Canada, it seems sensible that pianist Sinclair Mills will be linked to the Revenue family of NEW YORK. Key pad playing was their video game, perhaps not the ultimate way to make money in real life. Herman Revenue, his uncle, was a specialist pianist mixed up in late 19th hundred years. Mills performed on a single circuit, in a lot of the same swinging design of music, as Herman Profit’s kid, cousin Clarence Revenue. Their competition included various other jazz pianists in the ’30s and ’40s NY jazz scene such as for example Fletcher Smith, Artwork Hodes, Gene Schroeder, and George Zack. Pianist Mills, no family members regards to the trumpeter Lincoln Mills, mainly arises in traditional accounts in mention of the Revenue family. He’s usually referred to as “an operating pianist” which was certainly accurate in 1939. Paper write-ups talk about his trio on the MacDougal Tavern using the decidedly nonkosher Ham Jackson on electric guitar and the esteemed Duke Jones on bass. On the other hand, cousin Clarence Profit’s trio was keeping forth uptown at Harlem’s Yeah Guy Club. Through the first ’40s, Mills could possibly be heard being a soloist at an area referred to as the Pirate’s Den, where Hodes also performed sets and single pianists sometimes appeared around to discover an entire music group spontaneously developing around them.