Osny Silva

Osny Silva achieved tremendous success along with his 1st saving in 1943, “Alza Manolita (While Cartas Não Mentem Jamais),” surpassing Francisco Alves and Vicente Celestino, who record the same track afterward. In 1951, Silva released the popular and broadly well-known anthem from the team Corinthians, “Campeão dos Campeõsera” (compiled by Lauro D’Ávila), a tribute towards the group he was in love with in the entire year it was champ. Still well-known in 1964, he was a top-seller with strikes like “Jura-me,” “Funeral Dum Rei Nagô,” “Banzo,” “Violino Cigano,” “Cavaleiro Errante,” “Olhos Negros,” “Navio Negreiro,” “O Trovador de Toledo,” and many others. Osny Silva began in the Rádio Educadora Paulista in 1939, putting your signature on with Rádio Tupi in 1940. In 1943, by recommendation from the conductor Spártaco Rossi, he documented “Alza Manolita (As Cartas Não Mentem Jamais),” a Leo Daniderff valse that were successfully documented by Eduardo das Neves in the 1910s. In his interpretation, the documenting sold an incredible 80,000 copies, a lot more compared to the re-recordings by Francisco Alves (also in 1943) and by Vicente Celestino (3 years later, using a edition completed by himself). Silva documented various other albums through 1945 with no same achievement. In 1951, he was honored as the very best Vocalist of International Popular Music, and prompted by the achievement he documented effectively in 1953 “Bandolins ao Luar” and “Violino Cigano,” accompanied by the strikes “Risque,” “João Valentão,” yet others. In that season, he was honored using the Roquette-Pinto award as the very best Vocalist, touring throughout Brazil, Chile, and Argentina, countries where he also documented. His record with “Funeral Dum Rei Nagô” and “Barzô” was regarded one of the better of 1954.