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Lootpack

The Lootpack were one of the old-school revivalist crews to emerge from southern California through the ’90s, and recorded a few of the most underappreciated music for the revitalized West Coastline underground scene. The group was shaped in 1990 in Oxnard, CA (a smaller sized beach town in regards to a hour beyond LA), by longtime close friends Madlib (manufacturer, MC, b. Otis Jackson Jr.), Wildchild (MC, b. Jack port Dark brown), and DJ Romes (scratching, b. Romeo Jimenez). The trio people had been attempting their hands at hip-hop since junior high, and shaped the official group while in university. Their demonstration tape caught the interest of Ruler Tee and Tash of Tha Alkaholiks, and shortly the Lootpack became a member of the related collective the Likwit Staff; they also created two paths on Tha Alkaholiks’ 1994 debut, 21 & Over, and made an appearance for the follow-ups Coastline II Coastline and Likwidation. For the time being, the Lootpack discovered it challenging to property a satisfying offer of their very own. Their only documented output for a while was the 1996 EP Psyche Move, that was funded by Madlib’s dad, soul vocalist Otis Jackson Sr. Psyche Move fascinated the interest of Bay Region DJ Peanut Butter Wolf, who ultimately agreed upon the group to his Rocks Toss label. The Lootpack’s initial Stones Throw discharge was the 12″ one “The Anthem” in 1998. Two even more singles, “Whenimondamic” and “Queries,” preceded the Lootpack’s initial full-length record, Soundpieces: Da Antidote, that was finally released in 1999. Although it wasn’t massively well-known, the record triggered a mix in underground hip-hop circles, earning high praise through the music artists and critics who were able to discover it. It spun off another 12″ in “Weededed,” and proclaimed Madlib being a producer to view in the brand new millennium. Actually, many of his aspect projects — especially the bizarre double-identity Quasimoto as well as the jazz-funk group Yesterday’s New Quintet — consumed his interest in the instant wake of Soundpieces. Although Lootpack were mainly silent on record, they continuing to tour over another couple of years, and DJ Romes released his personal breakbeat record, Hamburger Hater Breaks, in 2001; also that 12 months, the group put together its documentary film, Da Packumentary. The solitary “On Stage” made an appearance in 2002, and a full-length assortment of previously unreleased songs, Lost Tapes, arrived in 2004.

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