Julia Kent is a fresh York City-based cellist, composer, saving artist, and in-demand program musician. A Canadian indigenous, Kent was created and elevated in Vancouver, United kingdom Columbia. She researched cello at Indiana College or university in Bloomington. Upon conclusion of her research, she relocated to NEW YORK. She was a genuine person in the pioneering rock and roll & move cello trio Rasputina, with Melora Creager and Agnieszka Rybska. Donning Victorian-era outfits and executing their own make of gothic chamber pop, this edition of the music group recorded Thanks a lot for the Ether in 1996; Transylvanian Regurgitations, an EP of remixes by Marilyn Manson, in 1997; and HOW EXACTLY WE Give up the Forest in 1998. Kent still left the group following the last mentioned album’s helping tour, and started a long amount of program and concert use other musicians. She actually is best known being a standing person in Antony as well as the Johnsons, where she acts as both cellist and string arranger. Having said that, her réamounté is intensive, and includes utilize a diverse selection of performers including Burnt Glucose, Sex Mob, the Angels of Light, Devendra Banhart, Mi and L’au, Larsen, Leona Naess, Angela McCluskey, Donovan, Rufus Wainwright, Richard Barone, Ryan Adams, Norah Jones, William Parker, Jarboe, Teddy Thompson, and Turkish rocker Teoman. Kent released her debut single record, Hold off, in 2007. The recording showcased her cello and live digital hold off loops in some deeply melodic compositions of amazing detail and set up. She also continuing her program function and touring. In 2008, she added music to Irene Lichtenstein’s documentary film Mario Benjamin, about the fantastic Haitian painter, also to P.J. Taval’s film Trinidad. This year 2010, she released the EP Last Day time in July, and collaborated with digital sound designer and vocalist Barbara DeDominicis around the rating for Davide Lionardi’s film Mon Apparente. Kent’s second full-length, Green and Gray, was released in 2011 on Essential and fulfilled with worldwide acclaim because of its relationship of highly initial compositions, which mixed digital results and field recordings. That same 12 months she added music towards the film This Should be the Place by movie director Paolo Sorrentino, as well as the rating for the dance function 5 for Metallic by choreographer Douglas Lee that was performed from the Norwegian Country wide Ballet. She also worked well thoroughly in the theatre. She collaborated with Paul Beauchamp in rating Giordano V. Amato’s Il Tempo Scolpito for the Torino Event and with Michael Camp in the music for Albert Ostermaier’s Radio Noir that premiered in the Düsseldorfer Schauspielhaus, and she made up the rating for the theatrical concert Dieci Anni Dopo il Paradiso, by writer Israel Horovitz, commemorating the ten-year wedding anniversary of Sept 11. In 2012, Kent and DeDominicis collaborated once again to record Parallel 41 (entitled for the imaginary collection that operates through NEW YORK and Naples, Italy where DeDominicis lives). Furthermore, she scored movie director Ariel Nasr’s The Boxing Ladies of Kabul. Regardless of the strength of her plan, Kent found enough time to record her third record; Character premiered by Leaf in March of 2013. She also added string preparations to Swans’ 2014 record TO BECOME Kind, and her 4th solo record, Asperities, made an appearance on Leaf in 2015.