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John Picard

Perhaps one of the most boisterous spirits over the landscaping of traditional jazz in Britain, this trombonist was something of a kid prodigy. He started acquiring piano lessons at age seven, but provides himself credit as his very own trombone instructor. His professional profession began pursuing his military provider, with documenting credits from the first ’50s using the rings of Cy Laurie and Humphrey Lyttelton, the last mentioned gig working until 1961. Picard produced his debut recordings being a head in 1955. In the first ’60s, he also collaborated with great clarinetist Tony Coe, with whom he led a quintet until sometime in 1965. Within the ensuing years, he dragged his big horn into popular types of music, where he discovered welcome approval. His activities within the ’70s included documenting with Brian Lemon, using the London Jazz Big Band, along with a stint within the music group Rocket 88 regarding Rolling Rocks alumni pianist Ian Stewart and real Rolling Rocks drummer Charlie W. This resulted in further tasks with W once the dapper drummer had not been active puttering around his nation property. In 1985, Picard became a member of the merry staff referred to as the Charlie W Big Band, adoring swing madly since it grooves to occasionally four different drum beats simultaneously. Running parallel to the number of visible but less complicated music continues to be his very own low essential but solid group of tasks under his very own name, generally playing intensifying jazz and undoubtedly working in the trunk rooms of little pubs. Coe continuing using his older friend in these organizations alongside trumpeter Colin Smith. A live documenting released of Jazz Tete a Tete, an organization co-led by Coe and drummer Tubby Hayes, can be an pleasant document of the facet of the English jazz picture and features many calm and fluent trombone solos. Picard’s child is definitely tenor saxophonist Simon Picard, that has transported the family members musical torch ahead into the world of avant-garde improvisation, playing within the same types of configurations for even less overall.

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