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John Hollingsworth

Conductor John Hollingsworth enjoyed achievement using the lighter classical repertory, both in concert and on record, and played a significant role in Uk film music. Blessed in Enfield, Middlesex, in 1916, he was informed on the Guildhall College of Music, and in 1937, at age group 21, he executed the London Symphony Orchestra for the very first time, getting the youngest guy up compared to that period ever to carry out the L.S.O., or afterwards, the London Philharmonic and Country wide Symphony orchestras. When Globe Battle II broke out, he became a member of the Royal Surroundings Force and offered as helper conductor from the Royal Surroundings Force Music group and associate conductor from the Royal Surroundings Drive Symphony Orchestra. He came into the Uk film market in 1946, becoming a member of The Rank Company under Muir Mathieson while also performing for the Royal Ballet and later on for the Royal Opera Home. His earliest display credits had been as conductor on Simple (1946), When the Bough Breaks (1947), plus they Produced Me a Fugitive (1947). He remaining Rank in 1949 to be music director from the Central Workplace of Info, a documentary device, and in 1950 also became conductor from the Sadler’s Wells Ballet. Through the 1950s, he carried out in the Royal Opera Home, Covent Backyard, and aimed the Tunbridge Wells Symphony concerts, furthermore to conducting shows in European countries and America, and he became affiliate conductor from the Henry Real wood Promenade Concerts. Amid all this activity, he taken care of his film function, becoming a member of the music division at Hammer Movies, that was coincidental using its introduction to worldwide prominence like a source of technology fiction and horror films. Hollingsworth was in charge of performing the music for such genre classics as The Quatermass Test (1955), Quatermass 2 (1957), The Curse of Frankenstein (1957), and Horror of Dracula (1958). In 1955, he also offered Richard Rodney Bennett, a guaranteeing composer/performer, the opportunity to write his 1st film score. More than another eight years, Hollingsworth was Bennett’s coach in the film music field, checking a location where the composer would excel to get a half hundred years to come. Through the 1950s, as the long-playing record revolutionized traditional music hearing, Hollingsworth recorded thoroughly, principally in the lighter traditional region, including a Nutcracker Suite using the L.S.O., Grieg’s Elegiac Melodies and Sigurd Jorsalfar using the Covent Backyard Orchestra, and a favorite version from the Gilbert and Sullivan ballet pastiche Pineapple Poll using the Pro Arte Orchestra. He passed away instantly of pneumonia in 1963.

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