For there to become both a live and studio room edition of each Man I REALLY LIKE Is Either Married, Gay or Dead by Kacey Jones seems a breach of fundamental redneck comedy viewpoint, i.e., a rebellion against anything smacking of self-conscious pretension. Image designer Wayne Crawford proceeds the dogmatic discord by contrasting the proportional effect of assorted typeface sizes around the cover from the live edition. (Apologies, y’all, for using “i.e.” inside a conversation of rednecks.)