Irresistible Force

DJ, musician, journalist, and self-described “worldwide cheerleader of ambient,” Mixmaster Morris continues to be probably one of the most noticeable — & most energetic — proponents of fresh ambient and digital music. As renowned for his inventive, wide-casting DJ units for his initial works beneath the Amazing Pressure name, Morris’ impact around the path of post-rave electronica continues to be tremendous. From his relentless tour routine, every week playlists, and regular monthly release evaluations to his considerable site chronicling the development of ambient and experimental digital music, Morris offers helped bring a complete range of normally obscure performers (from Terre Thaemlitz to Photek; from Ken Ishii to Robert High) to some wider audience. Even though his holographic fits, Zippy contacts, and soundbite method of musical evangelism may seem a bit absurd, his commitment towards the music and the grade of his ongoing contribution is usually undeniable. English-born Morris Gould got his begin like a DJ in the first ’80s — not really in warehouse party chill areas, however in dive-bar punk night clubs spinning experimental rock and roll, jazz, electronic, along with other assorted weirdness among bands. Eventually acquiring his deck skills and rapidly growing record collection to pirate train station Network 21 (where he caused Jonathan Even more and Matt Dark of Coldcut), Morris gained his nickname from his eclectic radio displays, during which he could set Terry Riley with Tibetan monks or Captain Beefheart with Amazonian field recordings. After completing college within the middle-’80s, Morris worked well in personal computers administration before developing Amazing Pressure with friend Des de Moor in 1987. The set played night clubs and toured with Meat Defeat Manifesto, eventually launching an individual before Morris dissolved the relationship in 1989. Keeping the name, Morris delved deeper in to the developing U.K. rave picture, touring using the Shamen in 1989, playing aspect gigs and celebrations, and arranging London’s initial ambient club occasions, Telepathic Seafood. Although Morris got attempted real-time tape loops and low-rent consumer electronics since the middle-’80s, it wasn’t before early ’90s that he begun to significantly pursue documenting. He released his initial full-length work, Traveling High, for the Increasing High label, and documented a celebrated cooperation with Frankfurt ambient composer Pete Namlook, Dreamfish. Both albums arrived Morris on the forefront of the brand new ambient motion — a posture he graciously recognized — along with a string of remix work with famous brands Coldcut, the Shamen, Barbarella, Increasing Great Collective, and Higher Cleverness Agency followed. Developing issues with his label, nevertheless, would plague Morris in to the documenting of his second record, which was postponed for just two years. Following discharge of Global Chillage in 1995, Morris dissolved his romantic relationship with Increasing High and started documenting for old close friends Coldcut on the Ninja Melody label. The 1998 full-length It’s Tomorrow Currently was the initial under the brand-new deal.