Hartmut Haenchen

Once the mind conductor of holland Philharmonic and holland Chamber Orchestra, so that as the principal visitor conductor using the Deutschen Staatsoper (German Condition Opera) in Berlin since 1995, Hartmut Haenchen (originally spelled Hänchen) is noted for the very clear, precise phrasing and sumptuously sonorous shades he evokes from his music artists. In his youngsters, Haenchen was an associate from the Kreuzchor in Dresden. Being a 15-year-old cantor, he was performing shows and led a revival of J.A. Hasse’s Requiem when he was 17. That yr, he came into the Dresden Hochschule für Musik, and later on went to rehearsals for the Bayreuth Event and of Herbert von Karajan’s concerts. In 1966, Haenchen was involved as the movie director from the choral culture referred to as the Robert Franz Singakademie in Halle and in addition carried out the Hallé Orchestra. From 1972-1973, he was Kapellmeister from the Zwickau Theater. He quickly became a normal guest conductor in the Deutschen Staatsoper in Berlin as well as the Dresden Staatsoper, aswell as conductor from the Dresden Philharmonic from 1973 through 1976. From 1976-1979, he was music movie director from the Mecklenburgische Staatskapelle and Staatstheater in Schwerin, and carried out performances in the Komische Oper (Comic Opera) in Berlin. Since 1980, Haenchen offers acted as the creative movie director from the Carl Philipp Emanuel Bach Chamber Orchestra, that was founded in Berlin and offers offered revivals of C.P.E. Bach’s music from re-discovered manuscripts. The ensemble offers appeared in lots of television productions, offers received awards for a number of recordings, and frequently tours. Haenchen offers led over 50 premieres with holland Opera — which he aimed between 1986 and 1999 — including Handel’s Giustino, Verdi’s Don Carlos, Mussorgsky’s Boris Godunov, Saint-Saëns Samson et Dalila, Tchaikovsky’s Mazeppa and Eugene Onegin, Richard Strauss’ Die Frau ohne Schatten and Capriccio, Béla Bartók’s Bluebeard’s Castle, Alban Berg’s Wozzeck, Szymanowski’s Król Roger, and Shostakovich’s Woman Macbeth of Mtensk as well as the Nose. Haenchen concurrently lead holland Philharmonic Orchestra until 2002, increasing its reputation significantly. Haenchen also acts as the specified movie director from the Dresdener Musikfestspiele and proceeds to make visitor looks with orchestras throughout European countries, the U.S., Japan, and Canada. He offers carried out operas in Bologna, Geneva, Jerusalem, London, Munich, NY, Stuttgart, Warsaw, Vienna, and Wiesbaden, and created books on Wagner and Mahler.