Though Welsh avant-garde composer/painter Graham Bowers spent a long time writing scores for dance, mime, and experimental theater performances, his debut album, Of Mary’s Bloodstream, didn’t turn out until 1995. The very first in a media triptych (surrealist artwork followed the record), Of Mary’s Blood’s mixed traditional, prog, and experimental music into one lengthy continuous track. It had been implemented in 1997 by Transgression, as well as the established completed up a 12 months later on with Eternal Spirits. After a sickness postponed him from composing music, Bowers finally came back with another recording of “audio theatre” with 2005’s Pilgrim.