There have been several vocalists named Anne Graham active between your ’30s and ’50s. Overlapping the time when one particular Graham was weighing along with vocals in the Benny Goodman big music group, an identically called vocalist was stepping backwards and forwards between gospel, blues and R&B, appealing to the interest of folklorist Alan Lomax aswell as the industrial record manufacturer Mayo Williams. Ironically, among her most well-known recordings — and sometimes among the just ones remaining on the net — can be her shortest, brief enough actually to pass to get a punk monitor. Entitled “Sylvie,” the tune was a duo chirped with nation blues maestro Leadbelly, noted for the Library of Congress by Lomax. Wee “Sylvie” clocks in at significantly less than a minute, or simply slightly even more, the editing and enhancing on different compilations varying over time. Sometimes acknowledged as Anne C. Graham, this vocalist began her documenting profession in the middle-’40s being a choral vocalist with gospel works such as for example Reverend J.C. Burnett. She finished up obtaining authorized for Williams’ combine of brands, the Chicago and/or Harlem organization, sometimes referred to as “the Harlem series on Chicago.” In the first ’50s she also documented a few edges for Gotham in Philadelphia, but evidently many of these attempts are considered by record enthusiasts as an extinct varieties. Her name occasionally comes up regarding the the abysmally boring information involving agreement disputes between contending manufacturers and record brands of that time period, due to the fact her recordings had been area of the catalogs getting bickered over.