Sacko became thinking about traditional Guinean music while a kid and learned to sing by hearing recordings of Sory Kandia Kouyate. She performed in a normal design, but her subject material was decidedly not really — she sang like songs. Traditionalists declined her, but she became favored by the masses. Regrettably, she discovered it too hard to pursue a musical profession while increasing her large family members, and consequently produced only one documenting, which she by no means received royalties for. She sang on an area basis for numerous functions through the ’70s, but waning recognition and an overdose of mercury-based pores and skin bleach efficiently retired her.