Cecil Armstrong Gibbs

Cecil Armstrong Gibbs isn’t one of the most widely performed and recorded British composers from the twentieth hundred years, but his tunes are respectable among connoisseurs and far of the others of his vast result could be unfairly neglected. Gibbs was both flexible and prolific, generating symphonies, concertos, opera, incidental music, cantatas, choral and sacred music, single piano functions, chamber music, and several tunes and song selections. A lot of his most effective tunes were configurations of poems by lifelong friend Walter de la Mare. Though Gibbs’ bigger works fulfilled with less achievement during his life time, several accomplished significant creative merit, including two comic operas, The Blue Peter (1923) and Midsummer Madness (1924), aswell as his choral symphony Odysseus (1938). His popular tunes include Sterling silver (1920; No. 2 from Op. 30), The Tiger-lily (1921), The Sleeping Beauty (1922), The Witch (1938), and Hypochondriacus (1949). Gibbs’ design was conservative, having a warm lyrical feeling in both his melodies and harmonies. His music continues to be reasonably well-known in Britain, but abroad it really is noticed largely on track anthology recordings. Cecil Armstrong Gibbs (who favored to drop Cecil) was created on August 10, 1889, in Great Baddow, Essex, Britain. Due to his mother’s loss of life when he was two, many aunts elevated him. Cognizant from the boy’s remarkable musical presents, they implored his dad to go after a musical education for him. However the dad resisted, sending him to preparatory college, after that to Winchester University. Gibbs started his initial advanced musical education at Cambridge in 1911, learning structure with Charles Real wood and E.J. Dent. Conductor Adrian Boult was impressed by Gibbs’ rating for the 1919 play Crossings (text message by Walter de la Mare), and organized for further research for Gibbs in the Royal University of Music, where his main composition instructor was Ralph Vaughan Williams. Gibbs became a member of the faculty there in 1921, teaching until 1939. That yr, his home in Danbury was transformed by the federal government into a medical center for wounded troops, and therefore Gibbs spent the battle years in Windermere, where he continued to be active in structure so that as a conductor. Following a war he came back to Danbury, where he revived the choral culture he founded there in 1919. Gibbs’ later on works consist of his 1956 Threnody, for string orchestra, created to tag the passage of Walter de la Mare (1873-1956). Gibbs passed away in Chelmsford, Britain, on, may 12, 1960.