Aldo Cabral

Aldo Cabral had achievement in the years of 1930/1940 like a lyricist, having had Benedito Lacerda as his primary partner in tracks recorded by main interpreters like Sílvio Caldas, Francisco Alves, Carlos Galhardo, Orlando Silva, and Carmen Miranda. Also a revue writer and radio guy, his career started with the effective documenting, in 1935, from the valse “Boneca” (with Lacerda) by Sílvio Caldas. Quickly Carmen Miranda released “Pra Fazer Você Chorar” (with Lacerda), and another year Caldas documented “Teus Ciúmes” (with Laci Martins). Having other compositions documented by performers like Sônia Carvalho, Carlos Galhardo, Sílvio Caldas, and Nuno Roland, Cabral got other strikes in 1937 using the samba “Amigo Leal” (with Lacerda) documented by Orlando Silva as well as the valse “A Você” (with Ataulfo Alves) documented by Carlos Galhardo. Another yr Francisco Alves documented “Carnaval Na Minha Terra” (with Child Pepe). “Espelho perform Destino,” documented by Orlando Silva in 1939, was another achievement, but his biggest one was the samba-exaltação “Brasil” (with Lacerda), documented by Francisco Alves in duo with Dalva de Oliveira in the same calendar year. In 1940 Francisco Alves acquired achievement with “Despedida da Mangueira” (with Lacerda) and, 2 yrs afterwards, with “Carnaval Da Minha Vida.” “Bom Dia” (with Herivelto Martins) was documented by Linda Batista so that as Três Marias, while Isaurinha Garcia acquired her biggest one with “Mensagem” (with Cícero Nunes) in 1945.