Tag Archives: Paul Esswood

Siegfried Lorenz brought a durable lyric baritone and an undeniable honesty of interpretation to an array of music. Though he under no circumstances reached the 1st rank of performers, he was authoritative in his shows of German music, to which he brought cleverness, clearness of diction, faithfulness towards the composer’s …

The Concentus Musicus Wien (Concentus Musicus of Vienna) is definitely among the premier music ensembles focusing on period instruments and techniques, with an immense discography. Austrian conductor and cellist Nikolaus Harnoncourt founded Concentus Musicus in Vienna in 1953. The ensemble, led by Harnoncourt’s wife, Alice, on 1st violin and staffed …

Alfred Deller was the 1st renowned countertenor. As a kid, Deller studied tone of voice first along with his dad as a son soprano, so when his tone of voice changed he continuing his singing like a countertenor. He became a member of the Canterbury Cathedral choir in 1940, where …

Using a voice essentially bass-baritone in vary but using a lighter, more baritonal coloring, Max van Egmond achieved considerable fame through his group of Bach oratorio recordings designed for Teldec beneath the direction of Nikolaus Harnoncourt and Gustav Leonhardt. His even, soft-edged timbre suit the lyric strategy Harnoncourt preferred, if …

British conductor Tag Brown is among the founders and directors of the first music vocal ensemble Pro Cantione Antiqua. Along with tenor Adam Griffett, countertenor Paul Esswood, and musicologist Bruno Turner, Dark brown helped create the exclusive profile of the ensemble where middle ages and modern music had been performed …

Given birth to Marius Hendrikus Schweppe, this Dutch tenor became popular for his interpretations of Renaissance and Baroque music, such as for example cantatas by Dietrich Buxtehude and Bach and concert and sacred vocal music by Matthaeus Pipelare, Claude le Jeune, Orlande de Lassus, Carissimi, António Marques Lésbio, Manuel Machado, …

Prior to the emergence of David Daniels like a countertenor superstar, Paul Esswood alone offered a rounded, resolved, womanly sound spun around a company, actually vibrato. He quickly produced his method among conductors who valued both his conscientious musicianship and gorgeous audio. His now-legendary group of Bach recordings made out …