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Tag Archives: Les McCann

Buck Clarke

An excellent percussionist who frequently worked like a sideman in mainstream, soul-jazz, and funk situations (recording with famous brands Freddie Hubbard, Herbie Hancock, and Les McCann), Buck Clarke led a past due-’50s date, Great Hands, for the Offbeat label and issued a small-pressing album, Hot Stuff, featuring Russ Freeman and …

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The 3 Sounds

The Three Noises were probably one of the most popular artists on Blue Take note Records through the past due ’50s and ’60s, because of their nimble, swinging, blues-inflected mainstream jazz. Since their information sounded compatible and their warm, friendly jazz was immediately available, many critics dismissed the group at …

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Mat Marucci

Jazz drummer Mat Marucci is really a solo recording musician, bandleader, program musician, and instructor. Delivered on July 2, 1945, in Rome, NY, Marucci provides performed alongside such notables as Jimmy Smith, Kenny Burrell, Adam Moody, Eddie Harris, Pal DeFranco, Les McCann, Bobby Shew, Don Menza, and John Tchicai, amongst …

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Horace Silver

Through the perspective from the 21st century, it really is clear that few jazz music artists had a larger effect on the contemporary mainstream than Horace Silver. The hard bop design that Metallic pioneered within the ’50s is currently dominant, performed not merely by holdovers from a youthful generation, but …

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Jon Lucien

Dubbed “the person with the fantastic throat” by Herbie Hancock, Jon Lucien was the leading crooner from the fusion era — blessed having a deep, velvety tone of voice ideally matched up to passionate ballads, his advanced amalgam of soul, light jazz, and Caribbean rhythms never loved commercial success commensurate …

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Junior Mance

Junior Mance is normally famous for his soulful bluesy design, but he’s also professional at playing bop standards. He began playing skillfully when he was ten. Mance caused Gene Ammons in Chicago during 1947-1949, used Lester Youthful (1950), and was using the Ammons-Sonny Stitt group until he was drafted. He …

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Les McCann

Les McCann reached the maximum of his profession in the 1969 Montreux Jazz Event, recording “In comparison to What” and “Chilly Duck Period” for Atlantic (Swiss Motion) with Eddie Harris and Benny Bailey. Although he did some worthwhile function since then, a lot of it’s been anticlimactic. McCann 1st gained …

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Lou Rawls

From gospel and early R&B to spirit and jazz to blues and straight-up pop, Lou Rawls was a consummate grasp of African-American vocal music whose versatility helped him adjust to the changing music times again and again while always remaining unmistakably himself. Blessed having a four-octave vocal range, Rawls’ easy, …

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Gene McDaniels

Gene McDaniels was one of the most popular performers to emerge from the 1950s R&B picture just like “spirit” begun to establish itself seeing that a definite subcategory (and later on the dominant audio) from the last mentioned genre. Blessed Eugene Booker McDaniels in Kansas Town, Kansas in 1935, and …

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Bill Heid

Keyboardist/vocalist Costs Heid was created August 11, 1948, in Pittsburgh, PA. An all natural and virtuosic musician who was simply inspired to try out jazz and blues by hearing the air, he played both in piano and body organ organizations. His brother may be the well-respected drummer and maker George …

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